Graham's Magazine, Vol. XXXVII, No. 5, November 1850Various
General
Graham's Magazine, Vol. XXXVII, No. 5, November 1850
Various
Literature -- Periodicals; Literature, Modern -- 19th century -- Periodicals
Another bard of Albion is no more,
Who erst with folded arms, oft, calmly stood,
Nature’s contemplative—the great and good—
Let every hill and valley him deplore,
Whose hand hath ceased to wake the tuneful lyre—
’Mid earthly landscapes, and o’er mountains old,
He walked in sweet Excursion, to behold
“The Rainbow in the Sky.” Nature’s great Sire
Hath taken him—“his heart leaps up” to see
The emerald-colored bow about the throne,
Where sits the King of kings and Lord alone.
Sweet Wordsworth! poet of true purity!
Thy hand upon a nobler lyre doth rest—
A lyre of glory in the land of those forever blest.
* * * * *
REVIEW OF NEW BOOKS.
_The Prelude; or Growth of a Poet’s Mind. An Autobiographical
Poem. By William Wordsworth. New York: D. Appleton & Co. 1 vol.
12mo._
_The Excursion. By William Wordsworth. New York: C. S. Francis &
Co. 1 vol. 12mo._
It was known as long ago as 1814, that Wordsworth had written the
present poem, and that it would not be published until after his death.
It now appears that it was commenced as far back as 1799, and was
finally completed in 1805. The purpose of the poem is to exhibit the
gradual growth of the poet’s mind, from its first development of
imagination and passion, to the period when he conceived he had grown up
to that height of contemplation which would justify his attempt to
realize the great object of his life—the production of a philosophic
poem on Man, Nature, and Society. “The Prelude,” is addressed to
Coleridge, the poet’s intimate friend; and the egotism of the narrative
is much modified, by its being thus seemingly intended, not for the
public, but for the poet-metaphysician into whose single heart and brain
its revelations are poured. The character of the poem is essentially
psychological, the object being to notice only those events and scenes
which fed and directed the poet’s mind, and to regard them, not so much
in their own nature, as in their influence on the nature of the poet.
The topics, therefore, though trite in themselves, are all made original
from the peculiarities of the person conceiving them. His childhood and
school-time, his residence at the university, his summer vacation, his
visit to the Alps, his tour through France, his residence in London and
France, are the principal topics; but the enumeration of the topics can
convey no impression of the thought, observation, and imagination, the
eloquent philosophy, vivid imagery, and unmistakable _Wordsworthianism_,
which characterize the volume.
Public-domain text, read in full here on John Shaqi.
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