Grain and Chaff from an English ManorSavory, Arthur Herbert
History
Grain and Chaff from an English Manor
Savory, Arthur Herbert
Aldington (Worcestershire, England); Country life -- England; England -- Social life and customs
The kingfisher, I suppose the most beautiful of British birds, was,
with all my brooks, a common bird at Aldington. Its steady flight,
following the course of a stream, and its brilliant colouring make it
very conspicuous, its turquoise blue varying to dark green, and its
orange breast flashing in the sun. I found a nest in a water-rat's old
hole, with six very transparent white eggs, deriving a rosy tint from
the yolk, almost visible, within the shell. The hole had an entrance
above the bank, descended vertically, turned at a right angle where
the nest, merely a layer of small fish-bones, was placed, and ended
horizontally on the side of the bank. I once saw six young kingfishers
sitting side by side on a dead branch, close together, evidently just
out of the nest. And I was fortunate in seeing a kingfisher dart upon
the water, hover for an instant like a hawk-moth over honeysuckle,
and, having caught a small gudgeon, fly away with it in its beak.
They, like the martin, always perch on leafless wood, so that the
leaves shall not impede their flight when pouncing upon a fish, and no
doubt this is the reason they sometimes perch on the top joint of the
rod of a hidden fisherman.
The nuthatch, called here the "mud-dauber," from its habit of
narrowing the hole of a starling's old nest, with mud, for its own use
as a nesting-place, is a more common bird in the Forest than in
Worcestershire. It is a provident bird, firmly wedging hazel nuts in
the autumn into crevices of the Scots-fir, for a winter store, Bewick
mentions that it uses these crevices as vices, to hold the nut
securely, while it cracks it; but he does not recognize the fact that
they have been stored long previously. I have seen a great number of
nuts so stored and quite sound.
Bewick, by the way, who wrote his _History of British Birds_ in 1797,
presents in one of his inimitable "tailpiece" wood-cuts a prevision of
the aeroplane. The picture shows the airman seated in a winged car,
guiding with reins thirteen harnessed herons as the motive power, and
mounting upwards, apparently very near the moon. If he can see the
modern interpretation of his dream he must be pleasantly surprised.
Bewick's woodcock is one of the most beautiful portraits in the book:
the accurate detail of the feather markings of the wings and back and
the softer tone of the breast are as nearly perfection as possible. A
woodcock visited Aldington in one of the very severe winters but
managed to elude all pursuers. It has been said, and also
contradicted, that the woodcock when rising from the ground uses its
long bill as a lever to assist its starting, just as an oarsman pushes
off from the bank with a boat-hook or oar; I myself have seen one
rising from a bare and marshy place, and the position of its bill
certainly gave me the impression that the idea was well founded.
Public-domain text, read in full here on John Shaqi.
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