Grain and Chaff from an English ManorSavory, Arthur Herbert
History
Grain and Chaff from an English Manor
Savory, Arthur Herbert
Aldington (Worcestershire, England); Country life -- England; England -- Social life and customs
Shortly before the church restoration I had a notice to attend an
archidiaconal visitation, and duly appeared at the church at the time
arranged. The Archdeacon made a careful inspection of the fabric and
property of the church, not too well pleased with its dilapidated
appearance. Nothing much was said till we reached the
fourteenth-century font, showing signs of long use. The Archdeacon
motioned to the clerk to remove the oak cover, and the old man, with
the air of an officious waiter, lifted it with a flourish, disclosing,
inside the cracked font, a white pudding-basin, inside which, again,
reposed a species of beetle known as a "devil's coach-horse." The
Archdeacon, peering in and evidently recognizing the insect and its
popular designation, and looking much shocked, exclaimed with some
warmth: "Dear me! I should scarcely have expected to find _that_ thing
in a font!"
This story reminds me of a similar visitation depicted in _Punch_. The
Archdeacon was seen at the lych-gate of a country church in company
with a churchwarden farmer, the Vicar being unable to attend. The
contrast was well delineated--the Archdeacon tall, thin, and ascetic,
in a long black coat and archidiaconal hat; and the farmer of the John
Bull type, in ample breeches and gaiters. The churchyard presented a
magnificent crop of exuberant wheat:
_Archdeacon_. I don't like this at all; I shall really have to speak
to the Vicar about it.
_Churchwarden (thinking of the rotation of crops)_. Just what I told
un, sir--just what I told 'un. "You keeps on a-wheating of it and
a-wheating of it," I says; "why don't you tater it?" says I.
At Badsey objections were soon heard to the innovation of the
surpliced choir and improved music in the restored church; one old
villager, living close by, expressed himself as follows concerning the
entry of the Vicar and choir, in procession, from the new vestry:
"They come in with them boys all dressed up like a lot of
little parsons, and the parson behind 'em just like the old
Pope hisself. But there ain't no call for me to go to church
now, for I can set at home and hear 'em a baarlin' [noise
like a calf] and a harmenin [amening] in me own house."
On a similar occasion, in another parish where more elaborate music
had been introduced, an old coachman, given to much devotional musical
energy, told me as a sore grievance: "You know, sir, I'd used to like
singin' a bit myself, but now, as soon as I've worked myself up to a
tidy old pitch, all of a sudden _they_ leaves off, and I be left a
bawlin'!"
Among various special weekday services I remember a Confirmation when
an elderly Aldington parishioner had courageously decided to
participate in the rite. She was missing from the ceremony, and told
my wife afterwards, in answer to inquiries, that a bad headache had
prevented her from attending, adding: "But there, you can't stand agin
your 'ead!"
Public-domain text, read in full here on John Shaqi.
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