Taddington, 67, 69 Tara Brooch, 278 Thirkel-Low, 4 Thirsk, 92 Thoo-Low, 4, 5 Three-Lows, 5 Thumb Flints, 121 Tile Tombs, 147, 148 Tissington, 13, 211, 236, 247 Toothpicks, 289 Torques, 133, 196 to 199 Totmans-Low, 4 Tree-Coffins, 44, 45, 50 Trentham, 89, 96 Triturating Stones, 114, 295, 296 (see also “Querns”) Tump, meaning of, 4 Tumuli, Chambered, 55 to 71 (see Grave-mounds) Tumulus, Etruscan, 55 Twin-Barrows, 37, 78, 79 Tweezers, 201, 289 Uley, 70 Umbones of Shields, 246, 247, 261 Upchurch, 162, et seq. Upchurch, Pottery, 162 to 164 Upright position, 11, et seq. Uriconium, 137, (see also Wroxeter) Vale, 27 Vole, Water, 16, 89, 90 Ward-Low, 5, 34 Warry-Low, 5 Water Rat, 16, 89, 90 Water Vole, 16, 89, 90 Wath, 47 Wedgwood, F., 258 Weights, 292 Wellbeloved, 163 Wellow, 67 West Lodge, 157 Westwood, 253 Wetton, 193 Whetstones, 114 White-Low, 5 Willoughby, 113 Wilson, C. C., 278 Wiltshire Barrows, 2, 16, 100 Winster, 3, 111, 211, 268, 269, 295, 296 Withery-Low, 5 Woolaton, 109 Woollen Cloth, 45 Wool-Low, 5 Worsaae, 255 Worsley, Miss, 295 Wright, T., 135, 151, et seq., 176, et seq., 216 Wroxeter, 137, 141, 147, 162 to 165 Wyaston, 210, 233 Wye, 28 Wykeham, 98 Yarns-Low, 5 York, 142, 143, 144, et seq. Yorkshire Barrows, 2, 5, 7, 25, 35, 44, 47, 97, 164 Yorkshire Pottery, 151 Youlgreave, 33 Watson & Hazell, Printers, London and Aylesbury. Dedicated to the Right Hon. LORD LYTTON. _In One handsome Volume, Foolscap 4to., cloth gilt, price 25s_. WOMANKIND IN WESTERN EUROPE, from the Earliest Ages to the Seventeenth Century. =By THOMAS WRIGHT, M.A., F.S.A.= Illustrated with numerous Coloured Plates and Wood Engravings. * * * * * “It is something more than a drawing-room ornament. It is an elaborate and careful summary of all that one of our most learned antiquaries, after years of pleasant labour, on a very pleasant subject, has been able to learn as to the condition of women from the earliest times. It is beautifully illustrated, both in colours--mainly from ancient illuminations--and also by a profusion of woodcuts, portraying the various fashions by which successive ages of our history have been marked.”--_The Times_. “We should be at a loss to find words of excessive praise for the learning, judgment, and delicate art with which the author has gathered, arranged, and presented the multifarious materials of a fascinating narrative, that would be told effectively by the embellishments of the book, even if the illustrations were not accompanied with words of explanatory text.”--_Athenæum_.