Gray Days and Gold in England and ScotlandWinter, William
General
Gray Days and Gold in England and Scotland
Winter, William
Great Britain -- Description and travel; Literary landmarks -- Great Britain
There came a time, however, when the fabric of Scott's fortunes was to
be shattered and his imperial genius bowed into the dust. He had long
been a business associate with Constable, his publisher, and also with
Ballantyne, his printer. The publishing business failed and they were
ruined together. It has long been customary to place the blame for
that catastrophe on Constable alone. Mr. Douglas, who has edited the
_Journal_ with characteristic discretion and taste, records his opinion
that "the three parties, printer, publisher, and author, were equal
sharers in the imprudences that led to the disaster;" and he directs
attention to the fact that the charge that Constable ruined Scott was
not made during the lifetime of either. It matters little now in what
way the ruin was induced. Mismanagement caused it, and not misdeed.
There was a blunder, but there was no fraud. The honour of all the men
concerned stands vindicated before the world. Moreover, the loss was
retrieved and the debt was paid,--Scott's share of it in full: the
other shares in part. It is to the period of this ordeal that Scott's
_Journal_ mainly relates. Great though he had been in prosperity, he
was to show himself greater amid the storms of disaster and affliction.
The earlier pages of the diary are cheerful, vigorous, and confident.
The mind of the writer is in no alarm. Presently the sky changes and
the tempest breaks; and from that time onward the reader beholds a
spectacle, of indomitable will, calm resolution, inflexible purpose,
patient endurance, steadfast industry, and productive genius, that is
sublime. Many facts of living interest and many gems of subtle thought
and happy phrase are found in his daily record. The observations on
immortality are in a fine strain. The remarks on music, on dramatic
poetry, on the operation of the mental faculties, on painting, and on
national characteristics, are freighted with suggestive thought. But
the noble presence of the man overshadows even his best words. He lost
his fortune in December 1825. His wife died in May 1826. On the pages
that immediately follow his note of this bereavement Scott has written
occasional words that no one can read unmoved, and that no one who has
suffered can read without a pang that is deeper than tears.
Public-domain text, read in full here on John Shaqi.
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