Gray Days and Gold in England and ScotlandWinter, William
General
Gray Days and Gold in England and Scotland
Winter, William
Great Britain -- Description and travel; Literary landmarks -- Great Britain
portions of its towers, of which originally there were but three. The
roof and the floors are gone. The courtyard is turfed, and over the
surface within its enclosure the grass grows thick and green, while
weeds and wild-flowers fringe its slowly mouldering walls, upon which
indeed several small trees have rooted themselves, in crevices stuffed
with earth. One superb ivy-tree, of great age and size, covers much
of the venerable ruin, upon its inner surface, with a wild luxuriance
of brilliant foliage. There are the usual indications in the masonry,
showing how the area of this castle was once subdivided into rooms
of various shapes and sizes, some of them large, in which were ample
fireplaces and deeply recessed embrasures, and no doubt arched
casements opening on the inner court. Here dwelt the early kings of
Scotland. Here the national story of Scotland began. Here for a long
time was treasured the Stone of Destiny, Lia Fail, before it was taken
to Scone Abbey, thence to be borne to London by Edward the First, in
1296, and placed where it has ever since remained, and is visible now,
in the old coronation chair in the chapel of Edward the Confessor,
at Westminster. Here through the slow-moving centuries many a story
of love, ambition, sorrow, and death has had its course and left its
record. Here, in the stormy romantic period that followed 1745, was
imprisoned for a while the beautiful, intrepid, constant, and noble
Flora Macdonald, who had saved the person and the life of the fugitive
Pretender, after the fatal defeat and hideous carnage of Culloden. What
pageants, what festivals, what glories, and what horrors have those
old walls beheld! Their stones seem agonised with ghastly memories
and weary with the intolerable burden of hopeless age; and as I stood
and pondered amid their gray decrepitude and arid desolation,--while
the light grew dim and the evening wind sighed in the ivy and shook
the tremulous wall-flowers and the rustling grass,--the ancient,
worn-out pile seemed to have a voice, and to plead for the merciful
death that should put an end to its long, consuming misery and dumb
decay. Often before, when standing alone among ruins, have I felt this
spirit of supplication, and seen this strange, beseechful look, in the
silent, patient stones: never before had it appealed to my heart with
such eloquence and such pathos. Truly nature passes through all the
experience and all the moods of man, even as man passes through all the
experience and all the moods of nature.
[Illustration: _Dunstaffnage._]
Public-domain text, read in full here on John Shaqi.
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