Gray Lady and the Birds: Stories of the Bird Year for Home and SchoolWright, Mabel Osgood
General
Gray Lady and the Birds: Stories of the Bird Year for Home and School
Wright, Mabel Osgood
Birds -- Juvenile literature; Birds -- New England
Aside from the birds that are represented by a few individuals all the
year the only newcomers to hope for are a few adventurous Blackbirds,
the Purple Grackle, and the Red-wing, and they are not usually seen in
any numbers before the beginning of March. There are three birds,
however, that, unless the month is very stormy, may be expected at any
time to show their fresh plumage and bring the latest news of travel to
their stay-at-home brothers who have remained behind. These are the
Bluebird, the Song Sparrow, and the Robin.
“We all know those. Even little brother Ebby knows _those_ birds,” said
Clary, when Gray Lady proposed to spend the morning in the company of
the most homelike and familiar birds of New England. “That is, Ebby
knows the Bluebird and Robin, and the Song Sparrow if it is singing; but
I do think Sparrows are dreadful hard to tell by sight. If a Song
Sparrow doesn’t sing, and turns his back so’s I can’t see the big spot
and the little one on his breast, I don’t always know him myself.”
“I hope that we all know these three birds,” said Gray Lady, “but, like
old friends, we are even more glad to see them when they come than if
they were the most brilliant of strangers. Old friends also may bring
news, and as for birds, no one can ever be sure that there is nothing
new to learn of them. And as for what we do know, it becomes fresh and
new each spring with his return. One thing about this bird is worthy of
notice, and that is the wonderful way in which Nature uses colour, both
as an ornament and a protection to her children. The majority of the
brightly coloured birds do not arrive until there are at least a few
leaves to screen them; the Oriole, Tanager, Rose-breast, and Indigo-bird
perching on leafless branches. Yet the Bluebird and the Blue Jay, both
of brilliant and striking plumage, are with us when the trees are
entirely bare, and when evergreens are lacking they have only sky or
earth for a background.
“What does this mean? Look out of the window, Sarah, as you are the
nearest to it, and perhaps you will discover. Do you see two Bluebirds
in the branches of the old Bell pear tree in the garden? No? Look again;
they are in the top, where the blue sky shows through the smaller
limbs.”
“No, ma’am; that is, I see something moving, but I can’t see any colour.
Oh, yes! now I do; it was because the blue of their backs came right
against the sky and matched it.”
“Yes,” said Gray Lady, “and the light underparts match the snow and the
ruddy breast the fresh earth, so that the Bluebird’s beauty is his
protection also; for as our dear old friend John Burroughs says, ‘When
Nature made the Bluebird, she wished to gain for him the protection of
both earth and sky, so she gave him the colour of one on his back and
the other on his breast; yes, and we might also add a touch beneath of
the snow that falls from sky to earth.’
Public-domain text, read in full here on John Shaqi.
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