Gray Lady and the Birds: Stories of the Bird Year for Home and SchoolWright, Mabel Osgood
General
Gray Lady and the Birds: Stories of the Bird Year for Home and School
Wright, Mabel Osgood
Birds -- Juvenile literature; Birds -- New England
“The Catbird stirs one’s curiosity. We wonder what he will say and do
next; and when he throws back his head to sing, we never can tell
whether a dreamy melody or a series of jeers will be the result. But the
Song Sparrow we love for himself alone, from the very beginning of our
acquaintance.
“In personal appearance he bears nearly all the markings of his
characteristic family, but the few exceptions, if remembered, will tell
you his name: his brown crown-feathers have a gray parting-line, _his
wings have no white bars or yellow markings_, while the breast and sides
are streaked; one large spot in the centre, with sometimes a smaller one
close to it, tell the Song Sparrow’s identity.
“He is seldom seen feeding on the ground like the Chippy, but loves the
shelter of low bushes, from which he gives his warning cry of
‘Dick-Dick!’ and then flies out with a jerking motion of the tail and,
never going high into the air, perches on another bush. If he wishes to
sing, he climbs from the dense lower branches to a spray well above the
others, as if he needed plenty of air and light for the effort, and
bubbles into song.
“As to the nest, well made of roots and bedded soft with fine grass and
hairs, the Song Sparrow uses his own taste, as all birds do, and though
the favourite place is within the crown of a small bush not far above
the ground, or even in a grass tuft close to the earth itself, yet I
have found them in very different places.
“Down in the garden a Song Sparrow once insisted on building, not only
in a flower-bed, but among the stalks of perishable plants that would
wither long before the young left the nest. To prevent disaster, we
drove stakes on each side of the nest, fastened a fruit-box underneath,
and a shelter overhead, so that, when the overhanging blossoms faded,
the sun might not make broiled squabs of the little ones. This brood was
raised successfully, but to our surprise the Sparrows began a second
nest directly opposite the first in the brush of the line of sweet-peas.
The location was chosen with more judgment, but in picking the pea
blossoms I passed within a foot of the nest every morning during the
whole time of building, hatching, and feeding of the young.
“This did not trouble the parents in the least; they seemed to know that
I would neither hurt them nor intrude upon their privacy, by watching
their movements too closely, and the father of the family repaid me by
such music as I never before believed could come from the throat of even
a Song Sparrow.
“At first I wondered why they should have chosen a garden border, when
there were so many near-by bushes about the orchard edge, and tufted
grasses and scrubs in a waste meadow over the way. For, familiar as the
Song Sparrow is, and fearless, too, yet he is a reserved bird even among
his kin, not even travelling in great flocks, and does not care, even
when in the full spring ecstasy of song, to be very near another singer.
Public-domain text, read in full here on John Shaqi.
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