Gray youth: The story of a very modern courtship and a very modern marriageOnions, Oliver
General
Gray youth: The story of a very modern courtship and a very modern marriage
Onions, Oliver
Man-woman relationships -- Fiction; Marriage -- Fiction; Women -- Social and moral questions -- Fiction
For the second time the scene was set in the Trocadero Grill. Mr. Dix
pointed out that the decoration, garish in detail, nevertheless took
its place in the _ensemble_; and Dorothy's eyes widened, and she said
that she hoped he would say that, in those very words, in one of his
articles--she had thought that very thing so many times herself, but
had lacked the knowledge to express it: she supposed that was where the
genius came in. Didn't Mr. Dix think (she wanted to know) that genius
_was_ just that--the power of expressing what everybody had thought
in terms they had never thought of? Given genius as a text, he is a
poor critic who cannot talk for an hour without a break; and, as Mr.
Dix slowly consumed liqueur brandy as he talked, Dorothy became very
beautiful to him. He became tender, not to say mushy. He vowed that
the sentimental point of view was something to be proud, not ashamed,
of. He spoke of the struggles of poor artists, of the temptations that
beset poor critics when they were asked to sell the truth for gold; and
Dorothy said that it must be awful, but that it would be a comfort to
her thenceforward, whenever she heard such dreadful tales, to know that
one man at least understood. Was the Miss Towers of whom he had spoken
one of those unfortunate ones? She had heard (she said) of a _Mr._
Towers, a painter, but that could not be the same....
"The same--the very same!" Mr. Dix laughed, while the curls shook on
his head; and he told the story of his early mistake....
"And she has actually signed a contract with these hard-hearted
dealers, whoever they are, and can't sell her own work?" Dorothy sighed
meltingly. "Poor thing! And can nothing be done to help her?"
"What a large soft heart you have, Miss Lennard!" murmured Mr. Dix,
squegeeing her, so to speak, with his gelatinous eyes; they really
might have been of the same substance as printing-machine rollers.
"Poor child!" Dorothy sighed compassionately. "Really, I feel like
going round and seeing these horrible people myself! They couldn't eat
me, could they?"
Mr. Dix looked as if he could have eaten Miss Lennard, without sugar.
"Poor dear! But, I'm sure they couldn't resist _you_, Mr. Dix--not if
you said the beautiful things to them you've been saying to me----"
If they could, they could have done more than Mr. Dix could Dorothy.
"_Do_ help the poor child!" Dorothy pleaded. "Half the trouble in the
world seems to me to come of goodness and power being in the wrong
hands, Mr. Dix."...
Again she lifted the large baby eyes....
"I'm sure you will...."
* * * * *
And the worst feature about the whole immoral transaction was that she
did not ask, but conferred a favour--the favour of showing Mr. Hamilton
Dix what a sympathetic, chivalrous, and large-hearted person Mr.
Hamilton Dix could be.
IV
"IL FAUT QU' UNE PORTE--"
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account