Gray youth: The story of a very modern courtship and a very modern marriageOnions, Oliver
General
Gray youth: The story of a very modern courtship and a very modern marriage
Onions, Oliver
Man-woman relationships -- Fiction; Marriage -- Fiction; Women -- Social and moral questions -- Fiction
Amory was quite sure that that too was part of the change in Cosimo. He
wanted to be on a topic that was--like the mended door--"safe." He had
risen on his knees and straightened his back; Amory had thought he was
about to rise altogether; but she herself did not move, and he sat down
again, cross-legged, on the other end of the door. He asked further
questions about Jellies, Orris, and the ten bicycles. Amory, shaking
back her thick, raw-gold mane, answered him quite freely; and then
Cosimo returned to the subject of the door again.
"It ought to have new hinges too, really," he grunted, "but I suppose
it's too late to get them to-night. Look how rusty that one is."
Amory leaned forward, and together they inspected the hinge. Then she
gave a little laugh. It was almost a reckless little laugh.
"Oh, it will do," she said lightly. "I shouldn't bother about it. Leave
it till to-morrow. You can just prop it up for to-night."
"Prop it up!" repeated Cosimo. "Oh no. Wouldn't do at all."
Then, all at once, apparently, Amory saw. She laughed again.
"Oh!... Good gracious, Cosimo, how ridiculous you are! Why, I
thought you were joking at first! As if anybody but you ever came up
here nowadays--and even you only once in awhile!" Then, with another
reckless little laugh, she added, "Why, what difference could a door
make?"
"A good deal, or else why have 'em?" Cosimo retorted. He did not seem
comfortable.
"Quite so: why?" Amory replied. "What a strange idea! Really, I never
knew you confuse Accidentals and Essentials so before! Why, if a
person's made up his mind to do a thing, how will a door stop it? And
if it won't, why a door? You know as well as I do that these things
happen _within ourselves_. Besides, I thought we'd arrived at our
conclusions."
"Of course, so we have," said Cosimo apologetically. "I know we've got
quite down to fundamentals. Still, there's no actual _harm_ in having a
hinge."
Amory shook her head slowly. The lamp on the floor shone tiny in either
brook-brown eye. Somehow Cosimo felt as uncomfortable as a guilty dog
under those eyes.
"You've changed, Cosimo," she said. "Something's changed you.... Why,"
she suddenly made a soft little appeal and held out both hands--"why
don't you tell me what it is?"
Cosimo appeared not to notice her hands. His own fumbled with a screw.
"I haven't changed, Amory, really--really I haven't," he protested.
"You have, Cosimo," Amory replied, her head critically a little on one
side. "You mayn't know it, but you're becoming--ordinary."
"Oh!" Cosimo broke out, revolted. "Ordinary--Cosimo!----"
"I'm not reproaching you," Amory continued. "I suppose that if you
examine it, it's nothing to be ashamed of--I mean that 'ashamed' isn't
quite the word. But words are only symbols after all; it's the thing
that matters."
"Of course," Cosimo agreed quickly. "You don't think I've changed my
mind about that, I hope, Amory? We came to the conclusion that words
were only symbols years ago."
Public-domain text, read in full here on John Shaqi.
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