Gray youth: The story of a very modern courtship and a very modern marriageOnions, Oliver
General
Gray youth: The story of a very modern courtship and a very modern marriage
Onions, Oliver
Man-woman relationships -- Fiction; Marriage -- Fiction; Women -- Social and moral questions -- Fiction
At first Amory thought that Dorothy was not going to introduce her
friend, but when Dorothy did so, in three words--"My cousin Stan"--she
was able to guess that even Dorothy was not quite without some sense
of shame and confusion. Her cousin! Such unfertility of invention
would have done discredit even to Jellies! But of course Dorothy was
embarrassed, and had said the first thing that had come into her head.
Amory bowed with reserve to "the cousin," who, for his part, seemed
inclined to laugh. Very rudely, he pulled out his watch.
"By Jove, a quarter to two! I must cut, Dot. Dusty'll be looking for
me. See you at tea-time? Right, I'll ring you up. So long."
And with scarce a look at Amory he was off.
No sooner had he gone than Amory broke into voluble speech.
"My dear, _what_ a place! I've been looking everywhere for you this
last half-hour--upstairs, downstairs, everywhere! I was almost sure I
remembered the way to the studio--wasn't it past a square room that has
a painting in it now?"
"It was, but they moved us two months ago," Dorothy replied. "Did you
ask for me?"
"Do you mean how did I get in? I just walked up. Nobody stopped me. Is
it against the rules?"
"It doesn't matter, as it happens. But I'm afraid I've had lunch."
"Oh, thanks awfully, but I always go to one of those Food Reform places
now; I feel ever so much better for it. I was only passing, and thought
I'd look in."
"Good of you," said Dorothy, and there was a longish pause.
Amory thought it was not very clever of Dorothy not to be able to
conceal her chagrin. Amory herself always tried to behave better than
that to people who went out of their way to call on her. Probably what
was really the matter was Dorothy's conscience; one cannot hold aloof
from the noble movements of the day without at times feeling a little
uneasy about it. But Causes can afford to be magnanimous. If Dorothy
wanted to out-pause Amory, Amory would let her; and, that absurd
picture being uppermost in her mind, she gave a little laugh and spoke
of that.
"It's easy to see _you're_ not the art-adviser to Hallowells',
Dorothy," she said. "_Must_ they buy such things? And what are they
going to do with it? Get it lithographed, I suppose, for a supplement
or something?"
When the subject of painting was raised Dorothy was still a little
afraid of Amory and her superior knowledge--but less so than she had
been. Twice in the course of its production she had seen "Barrage,"
and had stood apologetically silent before Amory's picture. At another
time she would not have excited herself one way or the other about Sir
Walter, but new forces thrust some of us into conservatism whether we
will or not, and "Barrage" had made Dorothy almost ready to swallow Sir
Walter holus-bolus. Therefore she said a little defensively, "What's
the matter with it?"
"The matter!" Amory exclaimed. She was smiling. If Dorothy meant this
for a joke she was quite willing to enter into it.
Public-domain text, read in full here on John Shaqi.
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