Gray youth: The story of a very modern courtship and a very modern marriageOnions, Oliver
General
Gray youth: The story of a very modern courtship and a very modern marriage
Onions, Oliver
Man-woman relationships -- Fiction; Marriage -- Fiction; Women -- Social and moral questions -- Fiction
Yes, Cosimo Pratt saw at last that he had come near making a precious
ass of himself when he had taken her acceptance of him so entirely
for granted. He did not suppose for a moment that a girl so frank and
free and brave could (to put it grossly) be holding out for her price;
nevertheless her price could be no light one. And because it was not a
light one, Cosimo was now full of eagerness to pay it.
II
"BARRAGE"
The sale of "Barrage" to the Manumission League was definitely
concluded within the week. Amory thought it a distinct smack in the
eye for Mr. Hamilton Dix. Mr. Dix, in hoodwinking her, and all but
fraudulently getting her to accept Croziers' miserable hundred pounds,
had no doubt thought he was doing a smart stroke of business; but he
was likely to squirm now, and to wish he had not given her permission
to sell privately what work she could. True, Amory admitted that in a
sense she had been indebted to Dorothy Lennard for this release--but
only in a sense. It was a thing anybody would have thought of, and
things anybody might think of were very lightly and happily hit off in
that perfect phrase of Nietzsche's, "the vulgarity of the lucky find."
In any case, Amory and nobody else had actually painted "Barrage." So
if Dorothy liked to go about boasting that she herself had procured the
sale to the League--not that Amory knew for a fact that she had done
or was doing this--well, it would be a little beneath Amory's dignity
to contradict her. Some people cannot bear to hear of the success of
others. Amory thanked goodness that she was not like that.
The transaction put her into possession of no less a sum than two
hundred pounds. Two hundred pounds, and for a single picture--at last
that was something like! She had always known it would come, and
come it had. Again, as she had done after the Crozier agreement, she
counted the time "Barrage" had taken to paint; again she saw those
other pictures she intended to paint--the Education picture, the State
Motherhood picture, the terrible indictment of all non-members of the
Manumission League that the White Slave canvas was to set forth; and
again she saw herself rich. "Barrage" had left her limp and a rag, but
that was past. It paid in cash to soar. Throes meant thousands. She
laughed at her immediate two hundred, and straightway set about the
spending of it.
Public-domain text, read in full here on John Shaqi.
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