Gray youth: The story of a very modern courtship and a very modern marriageOnions, Oliver
General
Gray youth: The story of a very modern courtship and a very modern marriage
Onions, Oliver
Man-woman relationships -- Fiction; Marriage -- Fiction; Women -- Social and moral questions -- Fiction
It was an odd little hall in which she sat. It appeared to be an
approach to the studio of which the electric bell gave notice, for
it was continued by a narrower passage that led to a garden at the
back; and either the studio "properties" were gradually thrusting the
hatstand and hall table out of the fan-lighted front door, or else
these latter ordinary and necessary objects were fighting as it were
for admission. Thus, the chair on which Lady Tasker sat was of oak,
but it had a Faust-like look; beyond it stood a glass-fronted cupboard
of bric-à-brac, with a trophy of Abyssinian armour hanging over it;
and the whole of the wall facing Lady Tasker was hung with a tapestry
which, if it had been the only one of its kind in existence, would no
doubt have been very valuable. And two other objects not commonly to
be seen in ordinary halls were there. One of these stood on the narrow
gilt console table next to Lady Tasker's cup of tea. It was a plaster
cast, taken from the life, of a female foot. The other hung on the wall
above it. This also was a plaster cast, of the whole of a female arm
and shoulder, ending with a portion of the side of the neck and the
entire breast--of its kind an exquisite specimen. Many artists make or
buy such things, but Brucciani has nothing half so beautiful.
It was as Lady Tasker finished her tea that her gaze fell on the two
casts. Half negligently she raised her glass and inspected, first the
foot, and then the other piece. It is probable that her first remark,
uttered in a casual undertone to the air about her, was prompted by
mere association of ideas; it was "Hm! I wonder if Mrs. Pratt nursed
those twins herself!" Any other reflection that might have followed it
was cut short by a sudden darkening of the doorway by which she had
entered. Mrs. Pratt stood there. Lady Tasker had been wrong. She _had_
come to ask if she felt better. She did ask her, gathering up long
swathes of some newly unpacked white material she carried over her arm
as she did so.
"Sorry you were done up," she remarked. "Won't you have some more tea?"
Already Lady Tasker was rising.--"No more, thank you.--I was just
looking at these. What are they?" She indicated the casts.
The gesture that Mrs. Pratt gave she could probably no more have helped
giving than an eye can help winking when it is threatened with a blow.
Within one mistletoe-white sleeve an arm moved ever so slightly; very
likely a foot also moved within a curiously-toed Saxon-looking white
slipper; and she gave a confused and conscious and apologetic little
laugh.
"Oh, those silly things!" she said deprecatingly. "I really must move
them. But the studio is so full.... Do you know, it's a most horrid
feeling having them done--first the cold plaster poured on, and then,
when they take it off again--the mould--you know----"
Lady Tasker plainly did not understand. Perhaps she did not yet even
apprehend.--"But--but--," she said, "they're from a statue, aren't
they?"
Public-domain text, read in full here on John Shaqi.
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