Gray youth: The story of a very modern courtship and a very modern marriageOnions, Oliver
General
Gray youth: The story of a very modern courtship and a very modern marriage
Onions, Oliver
Man-woman relationships -- Fiction; Marriage -- Fiction; Women -- Social and moral questions -- Fiction
Nor did he, Amory thought, show any great joy at her appearance. On
the contrary, he had fixed a look very like a glare on her. Then he
walked to the hearth. A big fire burned there behind a wire guard, and
within the iron kerb stood the kettle he had boiled to make tea. He put
his elbows on the mantelpiece and turned his back to her. Again it was
Mr. Brimby's sorrowing Oxford attitude. Amory had moved towards his
swivel chair and had sat down. Her heart beat a little agitatedly. He
remembered!...
He spoke without any beating about the bush,--"Ought you to have done
this?" he said over his shoulder.
She fiddled with her gloves.--"To have done what?" she asked nervously.
"To have come here," came in muffled tones back. It was evident that he
was having to hold himself in.
Then suddenly he wheeled round. This time there was no doubt about
it--it was a glare, and a resolute one.
But he had not been able to think of any new line. It was the one he
had used before. He made it a little more menacing, that was all.
"I'm only flesh and blood--," he said quickly, his hands ever so
slightly clenching and unclenching and his throat apparently swallowing
something.
Her heart was beating quickly enough now.--"But--but--," she
stammered,--"if you only mean my coming here--I've been here lots of
times before----"
He wasted few words on that.
"Not since----" he rapped out. He was surveying her sternly now.
"But--but--," she faltered again, "--it's only me, Edgar--I _am_
connected with the paper, you know--that is to say my husband is----"
"That's true," he groaned.
"And--and--I should have come before--I've been intending to come--but
I've been so busy----"
But that also he brushed aside for the little it was worth. "_Must_
you compromise yourself like this?" he demanded. "Don't you see? I'm
not made of wood, and I suppose your eyes are open too. Prang may be
here at any moment. He'll see that notice on the door and wait ... and
then he'll see you go out. You oughtn't to have come," he continued
gloomily. "Why did you, Amory?"
Once more she quailed before the blue mica of his eye. Her words came
now a bit at a time. The victory was his.
"Only to--to see--how the paper was going on--and to--to talk things
over--," she said.
"Oh!" He nodded. "Very well."
He strode forward from the mantelpiece and approached the desk at which
she sat.
"I suppose Cosimo wants to know; very well. As a matter of fact I'm
rather glad you've come. Look here----"
He grabbed a newspaper from the desk and thrust it almost roughly into
her hands.
"Read that," he said, stabbing the paper with his finger.
The part in which he stabbed it was so unbrokenly set that it must have
struck Katie Deedes as overwhelmingly learned.--"There you are--read
that!" he ordered her.
Then, striding back to the mantelpiece, he stood watching her as if he
had paid for a seat in a playhouse and had found standing-room only.
Public-domain text, read in full here on John Shaqi.
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