Nevertheless, lofty as these flights were, they had a little lost their thrill for Amory. She had heard them so very, very often. She had trembled in the taxi in vain if _this_ was all that her stealthy coming to the "Novum's" offices meant. Nor had she put on her new sea-holly velvet to be told, however eloquently, that Wilkinson and Brimby were minor lights when compared with Edgar and herself, and that the "Times" was always wrong. Perhaps the figures that Edgar had thrust under her nose as if he had been clapping a muzzle on her meant something to the right person, but they meant nothing to Amory, and she didn't pretend they did. They were man's business; woman's was "visualizing." The two businesses, when you came to think of it, _were_ separate and distinct. Whoever heard of a man wrapping himself up in a carpet and being carried by Nubians into his mistress's presence? Whoever heard of a man's face launching as much as an upriver punt, let alone fleets and fleets of full-sized ships? And whoever heard of the compelling beauty of a man's eyes, as he lay on a sofa with one satiny upper-arm upraised, simply making--making--a woman come and kiss him?... It was ridiculous. Amory saw now. Even Joan of Arc must have put on her armour, not so much because of all the chopping and banging of maces and things (which must have been very noisy), but more with the idea of _inspiring_.... Yes, inspiring: that was it. There _was_ a difference. Why, even physically women and men were not the same, and mentally they were just as different. For example, Amory herself wouldn't have liked to blow anybody from the mouth of a gun, but she wasn't sure sometimes that Edgar wouldn't positively enjoy it. He had that hard eye, and square head, and capacity for figures.... She wasn't sure that her heart didn't go out to him all the more because of that puzzle of noughts and dots and rupees he had thrust into her hands.... And so, as he continued (so to speak) to gain time by paying in pennies, and to keep an ear disengaged for the passage, it came about that Edgar Strong actually overshot himself. The more technical and masculine he became, the more Amory felt that it was fitting and feminine in her not to bother with these things at all, but just to go on inspiring. She still kept her eyes bent over the column of figures, but she was visualizing again. She was visualizing the Channel steamer, and the Latin Quarter, and satiny upper-arms. And the taxi-tremor had returned.... Suddenly she looked softly yet daringly up. She felt that she must be Indian--yet not too Indian. "And then there's suttee," she said in a low voice. "Eh?" said Strong. He seemed to scent danger. "Abolished," he said shortly. But here Amory was actually able to tell Edgar Strong something. She happened to have been reading about suttee in a feminist paper only a day or two before. No doubt Edgar read nothing but figures and grey oblongs.