Gray youth: The story of a very modern courtship and a very modern marriageOnions, Oliver
General
Gray youth: The story of a very modern courtship and a very modern marriage
Onions, Oliver
Man-woman relationships -- Fiction; Marriage -- Fiction; Women -- Social and moral questions -- Fiction
And of course this was exactly why she didn't want to ask Dorothy for
money. For Dorothy would be able to say--perhaps to say it as if she
was crowing over her a little--that she had warned her about that
contract. Not that Dorothy had warned her one bit, really. Dorothy had
not known any more than herself that her Show would be put off and put
off and put off; and if the Show had _not_ been put off, all would
have been well. But Dorothy was so--peculiar. Her ways were peculiar.
She _had_ ways, in fact, not principles. Amory didn't want to be
severe on Dorothy, but some of the things she did seemed positively
_un_principled. Not to go any further, there was Dorothy's undignified
way of regarding her own sex. She seemed to concur in that view of
it that made it merely the plaything of the other sex. Of course (to
be quite fair) it wasn't to be supposed for a moment that Dorothy
would have let Mr. Hamilton Dix kiss her, as he had wanted to kiss
Amory. Amory was sure she wouldn't. But for all that there would have
been--something--not a kiss--not even a "leading on" perhaps--Amory
couldn't have said what it would have been--but there would have
been _something_.... Put coarsely, it was a sort of exaggerated
sex-consciousness in Dorothy--that and lack of principle. Amory ought
to know that exaggerated sex-consciousness by this time. Glenerne had
been full of it. The world seemed to be full of it. It seemed an
odious domination; Amory could not understand it at all. Why, Cosimo
did not want to kiss her....
Because, of course, that sham gesture at her aunt's wedding had not
been a kiss.
Cosimo quite understood that she was wedded to her art.
Public-domain text, read in full here on John Shaqi.
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