Gray youth: The story of a very modern courtship and a very modern marriageOnions, Oliver
General
Gray youth: The story of a very modern courtship and a very modern marriage
Onions, Oliver
Man-woman relationships -- Fiction; Marriage -- Fiction; Women -- Social and moral questions -- Fiction
Amory was almost disinterestedly glad to see Dorothy; on such a day
she would have been glad to see anybody. For inside the studio was
more desolate than the streets without. No longer did that room over
the greengrocer's shop shimmer and twinkle as on the day when she and
Cosimo had sat down to their first little supper there. Half the plates
that had overlapped so prettily, half the cup that had dangled from
the bright hook, were broken; the sink was full of articles awaiting
that dreaded washing-up; and in the cupboard forgotten condensed milk
tins and brick-like half-loaves turned yellow and green. Amory had
cut off Mrs. 'Ill's daily visit; she now came on Saturdays only, and
Cosimo had not been there to give her a hand. By the time Dorothy had
drawn up the fire, and, going for the tea-things, had found plates
with sardine-tails on their edges and cups with graduations of brown
about their rims, she might have been pardoned had she thought tea
hardly worth troubling about; but she merely bustled cheerfully about,
scraping things into a bucket, clearing the table, sweeping the
hearth. All the time she chatted about the Ararat Extra Light and the
photograph of her that would appear in the papers on the morrow. Amory
had been shocked to hear that Dorothy had actually consented to this.
"Why not?" Dorothy had demanded. "It won't have my name on, and by the
time the machine men have finished with it, it won't be either like me
or anybody else! My dear, you're as bad as Aunt Emmie. Hang my family!
Would any of _them_ buy me a pair of Japhet Boots? My dear, I _have_
to dress myself well: _I_ can't afford to go about in rags! You don't
suppose I buy my clothes, do you? Why, you couldn't get these stockings
for thirty shillings! I don't mean that I get photographed for every
stitch I have on, but I have to get things one way or another!"
Amory sighed to be the possessor of a relentless intellect. It was
a heavy burden. Far, far happier were they, the simpler ones, whose
nature it was to laugh lazily and good-humouredly while others
shouldered the responsibility of the world. They did not even know that
in order that they might dance somebody else must weep. Dorothy had
condemned herself. All sorts of people could put forward that plea of
hers, "I have to get things one way and another." Amory wanted to know
what Dorothy _gave_ the world in return. She, Amory, gave her art; but
Dorothy would surely hardly claim that those fashion-drawings of hers
could not quite well be got along without. Therefore it was even a
little sorrowfully that Amory asked Dorothy how she was getting along
at the studio.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account