Band directors -- United States; Bands (Music) -- United States
Evans had to use this march in 1944 at Hartford, Connecticut, during
the worst fire in circus history. He was one of the first to see the
flames racing along the top and he immediately swung into the Sousa
march, leading loud with his cornet. Hearing the strains roll forth
like a call to arms, the bull man in the back yard shouted, “Tails!”
and forty elephants hooked up trunks and tails and swung out of the lot
into the street. Trainers rounded up wild animals--not one remained
loose. Troupers mobilized to direct the crowd out.
Evans and his band literally split the rafters repeating the stirring
march until the kettle drums caught fire. Only when the main pole
began to sway did he give the order, “Jump!” and the men cleared the
stand. In this heroic action Evans’s band had again proven that circus
bandsmen must be alert men of iron nerves and perfect control.
Merle Evans, self-made musician, has enjoyed an illustrious career.
Besides his circus work, he has directed bands in the Middle West, on
the coasts and in Europe--in programs that have included Bach, Brahms,
Tchaikovsky and Beethoven. He has taught the art of cornet playing in
universities of Texas. He has made recordings for Columbia, and an
album entitled _Circus_ was cut in the late thirties.
During the winter seasons of 1921, 1922 and 1923, Evans went to London
to direct the International Circus band at Olympia. Members of bands of
Welsh, Scotch, Irish and the Coldstream Guards made up the group that
he led. They played at St. James or at Buckingham Castle in the morning
and at Olympia in the afternoon and evening. Merle said, “I believe I
am the only bandleader that ever went to Europe alone.”
Recently during the winter seasons, Ringling Brothers-Barnum and
Bailey Circus has taken its feature acts from Sarasota, Florida, to
Havana, Cuba, for five weeks of performances, at the Sports Palace,
there Evans, taking his double drummer and organ, used fourteen Cuban
musicians for his band. He said, “I had men from the Havana Symphony
and from the Police, the Navy, the Army and the Municipal Bands. They
surely did a fine job, too!”
Besides playing concerts for state fairs and other Florida groups,
during the winter, Merle finds time in February to play three weeks
for School Assembly Service in different parts of the country. At the
different high schools he rehearses the bands in playing circus music
in the morning. Then that is given as an assembly program.
“I play cornet with the band,” Merle says, “I use a whistle and change
the music just as we do for acts in the circus, and you would be
surprised how well they can do it.” In addition, he gives a talk on his
experiences in the show business.
Merle has two obsessions--his love for popcorn and his love for his
cornet. He must have his daily ration of the former both summer and
winter. After a hard day’s work he relaxes at home by playing cornet
solos or listening to good records--with a bowl of popcorn nearby.
Public-domain text, read in full here on John Shaqi.
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