He also obtained the recognition of a second and no less important principle. In the course of time, and by a successive series of modifications, some of them natural and others factious and illegal, the Christian Church had been divided, as it were, into two distinct parts,--ecclesiastical and religious, or the clergy and the believers. In the Catholic Church all power had fallen into the hands of the clergy; the ecclesiastical governed the religious world; and whilst the latter were adopting the thoughts and opinions of the laity, the former remained more and more separate and supreme. {264} The German and English Reformation had already modified this state of things, and given laymen a certain amount of power in matters relating to religion. Calvin interposed in a much more direct and efficacious manner. He appointed a larger number of laymen than of ecclesiastics, as members of the Consistory, which was the principal moral authority in the reformed church of Geneva and an authority evidently destined to increase; and he thus completely destroyed the line of separation between the clergy and the believers. He summoned laymen and ecclesiastics to deliberate and act together, and in this manner secured a just share of power and influence to all the members of the religious society. One fact proves the importance that he attached to the active participation of faithful believers with their pastor in public worship. The reformed churches had abolished all the pomp and ceremonies of the Romish Church, and Calvin did not regret them; but although he was devoted to the severe simplicity of evangelical worship, he did not overlook the inherent love of mankind for poetry and art. He himself had a taste for music, and knew its power. He feared that, in a religious service limited to preaching and prayer only, the congregation, having nothing else to do than to play the part of audience, would remain cold and inattentive. For this reason he attached great importance to the introduction and promotion of the practice of psalm-singing in public worship, in addition to the sermons, prayers, and liturgies. {265} 'If the singing,' he said, 'is such as befits the reverence which we ought to feel when we sing before God and the angels, it is an ornament which bestows grace and dignity upon our worship; and it is an excellent method of kindling the heart, and making it burn with great ardour in prayer. But we must at all times take heed lest the ear should be more attentive to the harmony of the sound than the soul to the hidden meaning of the words.' [Footnote 90] With this pious warning, he strongly urged the study of singing, and its adoption in public worship. 'Some of the psalms which had been translated in verse by Clement Marot were printed, accompanied by a simple and elementary musical notation; and, in order to popularise them, the children were taught to sing these simple tunes in a loud and clear voice. A music master, who was