In 1846, just twelve years after his entrance into the house, his clerkship came to an end, and he became a partner in the establishment, the style of the firm being Ticknor & Fields. He took an active share in the business; and while full credit must be given to Mr. Ticknor for the extraordinary success which the firm enjoyed, it can not be denied that Mr. Fields' share in this work was very great, and fully equal to that of his partner. His acknowledged literary abilities won him friends among the most gifted writers of the country, and these naturally sought his assistance in presenting their works to the world. Their friendship induced an intelligent confidence in his literary taste and mercantile integrity, and it was a decided gain for them to secure one so generally esteemed and trusted as their publisher. Young writers, still struggling for fame, felt that in submitting their works to his inspection they would receive the patient examination of not only a conscientious reader, but of one whose own literary abilities rendered him unusually competent for the task. The public generally learned to share this confidence in his literary judgment. And so it came to pass that the imprint of Ticknor & Fields was universally accepted as a sufficient guarantee of the excellence of any book, and rarely failed to insure its success. Naturally, the house was proud of this confidence, and it is pleasant to record that they have never abused it. There is, perhaps, no other publishing firm in the Union whose catalogue is so free from objectionable or worthless publications as that issued by this house. Gradually Messrs. Ticknor & Fields became the recognized publishers of a large number of the leading writers of this country and of Great Britain. In their catalogue we find the names of Longfellow, Bryant, Whittier, Holmes, Aldrich, Agassiz, Beecher, Alice Gary, Cummins, Dana, Emerson, Hawthorne, Gail Hamilton, Lowell, Parton, Saxe, Sprague, Stowe, Bayard Taylor, Thoreau, and Tuckerman, in American literature; and in English literature, the names of Browning, Dickens, George Eliot, Mrs. Jameson, Kingsley, Owen Meredith, Charles Reade, and Tennyson. With their English authors they maintain the pleasantest relations, recognizing their moral right to their works, and paying them a fair royalty upon the sales of their books. Of their relations with their American authors, a popular periodical says: