Great leaders: Historic portraits from the great historians
History
Great leaders: Historic portraits from the great historians
Biography
A thick hood covers the whole head and shoulders. Beneath it can be
traced the curve of a long and somewhat flat skull, rounded into
extraordinary fullness at the base and side. From a deeply sunken
eye-socket emerges, scarcely seen, but powerfully felt, the eye that
blazed with lightning. The nose is strong, prominent, and aquiline, with
wide nostrils, capable of terrible dilation under the stress of vehement
emotion. The mouth has full, compressed, projecting lips. It is large,
as if made for a torrent of eloquence; it is supplied with massive
muscles, as if to move with energy and calculated force and utterance.
The jaw-bone is hard and heavy, the cheek-bone emergent; between the two
the flesh is hollowed, not so much with the emaciation of monastic
vigils as with the athletic exercise of wrestling in the throes of
prophecy. The face, on the whole, is ugly, but not repellent; and, in
spite of its great strength, it shows signs of feminine sensibility.
Like the faces of Cicero and Demosthenes, it seems the fit machine for
oratory. But the furnaces hidden away behind that skull, beneath that
cowl, have made it haggard with a fire not to be found in the serener
features of the classic orators. Savonarola was a visionary and a monk.
The discipline of the cloister left its trace upon him. The wings of
dreams have winnowed and withered that cheek as they passed over it. The
spirit of prayer quivers upon those eager lips. The color of
Savonarola’s flesh was brown; his nerves were exquisitely sensitive yet
strong; like a network of wrought steel, elastic, easily overstrained,
they recovered their tone and temper less by repose than by the
evolution of fresh electricity. With Savonarola fasts were succeeded by
trances, and trances by tempests of vehement improvisation. From the
midst of such profound debility that he could scarcely crawl up the
pulpit steps, he would pass suddenly into the plenitude of power,
filling the Dome of Florence with denunciations, sustaining his
discourse by no mere trick of rhetoric that flows to waste upon the lips
of shallow preachers, but marshaling the phalanx of embattled arguments
and pointed illustrations, pouring his thought forth in columns of
continuous flame, mingling figures of sublimest imagery with reasonings
of severest accuracy, at one time melting his audience to tears, at
another freezing them with terror, again quickening their souls with
prayers and pleadings and blessings that had in them the sweetness of
the very spirit of Christ.
Public-domain text, read in full here on John Shaqi.
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