Great leaders: Historic portraits from the great historians
History
Great leaders: Historic portraits from the great historians
Biography
About fourscore years ago there used to be seen sauntering on the
terraces of Sans Souci, for a short time in the afternoon, or you might
have met him elsewhere at an earlier hour, riding or driving in a rapid
business manner on the open roads or through the scraggy woods and
avenues of that intricate amphibious Potsdam region, a highly
interesting lean little old man, of alert though slightly stooping
figure, whose name among strangers was King _Friedrich the Second_, or
Frederick the Great of Prussia, and at home among the common people, who
much loved and esteemed him, was _Vater Fritz_--Father Fred--a name of
familiarity which had not bred contempt in that instance. He is a king,
every inch of him, though without the trappings of a king. Presents
himself in a Spartan simplicity of vesture; no crown but an old military
cocked hat--generally old, or trampled and kneaded into absolute
_softness_ if new--no scepter but one like Agamemnon’s, a walking-stick
cut from the woods, which serves also as a riding-stick (with which he
hits the horse “between the ears,” say authors)--and for royal robes, a
mere soldier’s blue coat with red facings, coat likely to be old, and
sure to have a good deal of Spanish snuff on the breast of it; rest of
the apparel dim, unobtrusive in color or cut, ending in high overknee
military boots, which may be brushed (and, I hope, kept soft with an
underhand suspicion of oil), but are not permitted to be blackened or
varnished; Day and Martin with their soot-pots forbidden to approach.
The man is not of godlike physiognomy, any more than of imposing stature
or costume; close-shut mouth with thin lips, prominent jaws and nose,
receding brow, by no means of Olympian height; head, however, is of long
form, and has superlative gray eyes in it. Not what is called a
beautiful man; nor yet, by all appearance, what is called a happy. On
the contrary, the face bears evidence of many sorrows, as they are
termed, of much hard labor done in this world, and seems to anticipate
nothing but more still coming. Quiet stoicism, capable enough of what
joys there were, but not expecting any worth mention; great unconscious
and some conscious pride, well tempered with a cheery mockery of
humor--are written on that old face, which carries its chin well
forward, in spite of the slight stoop about the neck; snuffy nose,
rather flung into the air, under its old cocked hat--like an old snuffy
lion on the watch; and such a pair of eyes as no man or lion or lynx of
that century bore elsewhere, according to all the testimony we have.
Public-domain text, read in full here on John Shaqi.
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