Hardly less important services to his country were his establishment of order and good administration, his financial and judicial reforms, his encouragement of industry and commerce. "He effected," says Lavallee, "attempted, or projected, all the innovations of modern France." Diplomacy, the modern makeshift for the international office of the mediaeval papacy, dates from him. Historians have dwelt on his cruelty, perfidy, and superstition.[12] Turbulent nobles, like St. Pol and Armagnac, were brought to the block; treacherous ministers, like Cardinal La Balue, were kept for years in iron cages; vulgar criminals swung from gibbets on every highroad. But this severity toward ruffians of high and low degree, who had preyed on the country for the best part of the century, wrought peace and prosperity for the law-abiding and industrious. In the decay of feudal manners and Catholic discipline, the sentiment of honor had almost vanished from public life. But, judged relatively to his times, Louis is not to be branded as perfidious. He did not scruple to break treaties contrary to the interests of his country, which had been extorted from him by force; but he was more straightforward than his principal contemporaries. Twice, when he could have got rid of Charles the Bold by acts of treachery, which in those days no one would have blamed, he chose the honorable course. To reproach a man of the fifteenth century with superstition, because he thought there might be some efficacy in images and relics, is an abuse of language. If he clung to life it was because he felt that so much of his projected work remained unfinished. He met death with remarkable fortitude, his thoughts and efforts being to the last moment occupied with the affairs, not of his soul, but of his country. His minister and intimate friend, Comines, has left a faithful and judicious account of his life. Two great poets have dealt unfairly with him: Scott could not forgive the foe of feudalism; Hugo was blinded by democratic prejudices. [Footnote 12: It is said that Louis was a firm believer in astrology, that he wore a cap set round with leaden images of the saints to which he prayed, but told them falsehoods even in his prayers. His choice of a confidential adviser was perhaps his greatest offence in the eyes of the nobility, for he selected his barber, Olivier le Dain, or Oliver the Devil. This man mocked his master even while he served him. Our engraving, after the painting of Hermann Kaulbach, represents both in characteristic positions.] ISABELLA OF CASTILE[13] By SARAH H. KILLIKELLY (1451-1504) [Footnote 13: Copyright, 1894, by Selmar Hess.] [Illustration: Isabella. [TN]]