At about twelve years of age he went to Cambridge--to Trinity College--rooming with his brother Anthony, who was two years his senior. In June, 1576, he left the university and became an _ancient_ of the Gray's Inn law-society. On September 25, 1576, he accompanied Sir Amias Paulet, the English ambassador, to France. Here he witnessed the sixth civil war of the French people. He followed the court through several of the French provinces; he resided for three months at Poitiers. About February 17, 1579, he dreamed that his father's house in the country was all covered over with black mortar. At the same time his father was taken sick and died in three days thereafter. He returned home on March 20, 1579, to find himself poor. As he said, he could not "live to study," but had "to study to live." He became a practising lawyer, but he did not like the profession. He feared "the bar would be his bier;" it absorbed time which he thought should be dedicated to better ends. We think we find the expression of his heart in the lines of the so-called Shakespeare Sonnet: "O, for my sake, do thou with fortune chide, The guilty goddess of my harmful deeds, That did not better for my life provide, Than public means, which public manners breeds." His pecuniary embarrassments were numerous, and continuous. Falstaff doubtless expresses a thought which often recurred to him: "I can get no remedy against this consumption of the purse; borrowing only lingers and lingers it out, but the disease is incurable." More than once he was thrown into a "sponging-house" for debt. His brother Anthony loaned him money repeatedly. In 1592 a "hard Jew or Lombard" put him in confinement for a debt on a bond. Anthony mortgaged his property to pay his debts. In 1594 Malone believes the play of "The Merchant of Venice" was in existence, in which Bassanio, being in debt to a hard Jew, his friend, Antonius, mortgages his own flesh to help him out of his troubles; and the Jew money-lender is sent down through all the ages the terrible type and exemplar of the merciless usurer. Bacon continues a "briefless barrister," with much time at his disposal. He helps in the composition of the play called "The Misfortunes of Arthur." He writes a Sonnet to the Queen. About this time, 1592, the Shakespeare plays begin to appear. Bacon assists in the preparation of several "masks" and "revels," gotten up by Gray's Inn. "The Comedy of Errors" first appears in the hall of that society, which still stands in London. The "Venus and Adonis" and "Lucrece" appear, dedicated to Bacon's intimate friend, Lord Southampton; and that nobleman in 1594 contributes a large sum to the construction of the _Globe_ play-house, Bacon having observed that the stage is a powerful instrumentality to "play on the minds" of the people; and on this stage a series of historical plays are put forth, everyone of which represents kings as monsters or imbeciles.