Demosthenes's first speeches were harsh and obscure. The sentences were too long, the metaphors violent and inapt. On the occasion of his first set address before a public assembly he even broke down. He was, however, indomitable in his determination and efforts to speak well, and persevered until at last the most critical heard him with delight. Notwithstanding certain defects which nice critics very early remarked, such as undue vehemence, argumentation and intensity too long sustained, and, in general, lack of variety and relief, Demosthenes's oratory is worthy the exalted regard which the best readers have in all ages accorded to it. His thought is always lucid and weighty, his argument fair and convincing, his diction manly and solid. He never uses a superfluous or a far-fetched word, never indulges in flowers, word-painting, or rhetorical trickery of any kind. He shows no trace of affectation, no effort to surprise or to be witty He depends for effect upon truth logically and earnestly presented. If such a style, everywhere perfectly kept up, was in any degree artificial, how matchless the art which concealed the art! So plain and straightforward are many of the speeches, that one is tempted to refer their wonderful power when spoken to some richness of elocution not appreciable now. Says Hume, treating of Demosthenes' manner, "Could it be copied, its success would be infallible over a modern assembly. It is rapid harmony exactly adjusted to the sense. It is vehement reasoning without any appearance of art; it is disdain, anger, boldness, freedom, involved in a continued stream of argument; and, of all human productions, the orations of Demosthenes present to us the models which approach nearest to perfection." ("Essay of Eloquence." Comp. Lord Brougham's Works, vii., 59 foll.) [Illustration: Demosthenes practising oratory.]