Great Men and Famous Women. Vol. 4: A series of pen and pencil sketches of the lives of more than 200 of the most prominent personages in History
History
Great Men and Famous Women. Vol. 4: A series of pen and pencil sketches of the lives of more than 200 of the most prominent personages in History
Biography
The botanical professor, the genial Von Martius, should also be
mentioned here. He found Agassiz a student, barely of age; he directly
made him an author, and an authority, in the subject of his
predilection. Dr. Spix, the zooelogical companion of Martius in Brazilian
exploration, died in 1826; the fishes of the collection were left
untouched. Martius recognized the genius of Agassiz, and offered him,
and indeed pressed him, to undertake their elaboration. Agassiz brought
out the first part of the quarto volume on the "Fishes of the Brazilian
Expedition of Spix and Martius" before he took his degree of doctor of
philosophy, and completed it before he proceeded to that of doctor in
medicine, in 1830. The work opened his way to fame, but brought no
money. Still, as Martius defrayed all the expenses, the net result
compared quite favorably with that of later publications. Moreover, out
of it possibly issued his own voyage to Brazil in later years, under
auspices such as his early patron never dreamed of.
This early work also made him known to Cuvier; so that, when he went to
Paris, a year afterward, to continue his medical and scientific
studies--the one, as he deemed, from necessity, the other from
choice--he was received as a fellow-savant; yet at first with a certain
reserve, probably no more than was natural in view of the relative age
and position of the two men; but Agassiz, writing to his sister, says:
"This extreme but formal politeness chills you instead of putting you at
your ease; it lacks cordiality, and, to tell the truth, I would gladly
go away if I were not held fast by the wealth of material of which I can
avail myself." But only a month later he writes--this time to his
uncle--that, while he was anxious lest he "might not be allowed to
examine, and still less to describe, the fossil fishes and their
skeletons in the Museum, ... knowing that Cuvier intended to write a
work on this subject," and might naturally wish to reserve the materials
for his own use; and when the young naturalist, as he showed his own
sketches and notes to the veteran, was faintly venturing to hope that,
on seeing his work so far advanced, he might perhaps be invited to share
in a joint publication, Cuvier relieved his anxiety and more than
fulfilled his half-formed desires.
"He desired his secretary to bring him a certain portfolio of drawings.
He showed me the contents: they were drawings of fossil fishes, and
notes which he had taken in the British Museum and elsewhere. After
looking it through with me, he said he had seen with satisfaction the
manner in which I had treated this subject; that I had, indeed,
anticipated him, since he had intended at some future time to do the
same thing; but that as I had given it so much attention, and had done
my work so well, he had decided to renounce his project, and to place at
my disposition all the materials he had collected and all the
preliminary notes he had taken."
Public-domain text, read in full here on John Shaqi.
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