Great Men and Famous Women. Vol. 5: A series of pen and pencil sketches of the lives of more than 200 of the most prominent personages in History
History
Great Men and Famous Women. Vol. 5: A series of pen and pencil sketches of the lives of more than 200 of the most prominent personages in History
Biography
William Caxton, to whom England owes the introduction of printing, was
born, according to his own statement, in the Weald of Kent. Of the date
of his birth nothing is known with certainty, though Oldys places it in
1412. Lewis and Oldys suppose that between his fifteenth and eighteenth
years he was put apprentice to one Robert Large, a mercer or merchant of
considerable eminence, who was afterward, successively, sheriff and lord
mayor of London, and who upon his death, in 1441, remembered Caxton in
his will by a legacy of 20 marks. Caxton at this time had become a
freeman of the Company of Mercers. His knowledge of business, however,
induced him, either upon his own account or as agent of some merchant,
to travel to the Low Countries for a short time. In 1464 we find him
joined in a commission with one Robert Whitehill, to continue and
confirm a treaty of trade and commerce between Edward IV. and Philip,
Duke of Burgundy; or if they find it necessary, to make a new one. They
are styled in it ambassadors and special deputies. This commission at
least affords a proof that Caxton had acquired a reputation for
knowledge of business. Seven years afterward Caxton describes himself as
leading a life of ease, when, "having no great charge or occupation," he
set about finishing the translation of Raoul le Fevre's "Recueil des
Histoires de Troye," which he had commenced two years before, in 1469.
The original was the first book he printed, and this translation the
third. Of Caxton's pursuits and travels abroad, we know little more than
that in his peregrinations he confined himself, for the most part, to
the countries of Brabant, Flanders, Holland, and Zealand, and finally
entered into the service, or at least the household, of Margaret,
Duchess of Burgundy, who encouraged him to finish his translation of Le
Fevre's "History of Troy," assisted him with her criticisms upon his
English, and amply rewarded him upon the completion of his labor. From
the prologues and epilogues of this work we discover that he was now
somewhat advanced in years, and that he had learnt to exercise the art
of printing, but by what step he had acquired this knowledge cannot be
discovered; his types only show that he acquired it in the Low
Countries. He does not appear to have seen any of the beautiful
productions of the Roman, Venetian, and Parisian presses before he had
caused his own font of letters to be cut.
Public-domain text, read in full here on John Shaqi.
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