Great Men and Famous Women. Vol. 5: A series of pen and pencil sketches of the lives of more than 200 of the most prominent personages in History
History
Great Men and Famous Women. Vol. 5: A series of pen and pencil sketches of the lives of more than 200 of the most prominent personages in History
Biography
But none of these things seem to have moved him from the even tenor of
his way. Yet there was no sentimentalism in his dealings with his
tenants, as we find him holding them to a strict accounting for the use
made of their improved conditions.
So of his prison work. It seemed to be all and altogether for the
masses, and not for individuals. No record is left of personal
almsgiving, save when resorted to as a ruse to obtain entrance to the
French prisons. That his interest was not in individuals is further
shown by the calm and deliberate manner in which he prosecuted his
investigations, taking years for the accumulation of materials and
months to their careful watching through the press. It was the principle
of justice ingrained in the man's deepest nature that forced him to
_know_ all that could be known or said upon both sides before speaking.
It was this thoroughness, this absolute fairness, that made of his work
and of his inartistically constructed books the tremendous and lasting
success which they were.
Deeply religious, he naturally reflected the spirit of the religious
teachings of the times, which savored more of the terrors of the law
than of mercy and forgiveness to evil-doers; that found more worship in
denying self the indulgences of soft living than in the partaking of the
harmless pleasures and sweets of life, giving a good God thanks for His
good gifts. Through all the life and writings of Howard one constantly
hears the minor chord of infinite sadness wrought into his life by his
motherless infancy, his unloved boyhood, his years of invalidism, his
ceaseless mourning for his wife Henrietta, the bitterness of death in
the cup held to his lips by his unfortunate son, and over and above all,
the constant atmosphere of crime, cruelty, sin, and suffering in which
he spent the last sixteen years of his life. Life to him came to mean
sin, suffering, and sorrow in the world about him, and for himself work,
work, incessant work, in the effort to do what one man could to lift or
lighten the burden under which the whole earth groaned. Death came to
him where he would have most wished it might, and took him directly from
labor to reward. And throughout the coming ages the world will be the
better because in the last half of the eighteenth century there lived,
labored, and died in the midst of his labors one _John Howard, the
Philanthropist_.
[Signature: Harriet G. Walker.]
ETHAN ALLEN[16]
[Footnote 16: Copyright, 1894, by Selmar Hess.]
By GERTRUDE VAN RENSSELAER WICKHAM
(1738-1789)
Was Ethan Allen a hero or a humbug? a patriot or a pretender? Ask
Vermont and she cries "Nulli secundus!" Ask New York and the reply is
"Ad referendum."
The differentiation antedates the American Revolution and the part Ethan
Allen played in that historic drama. It is an inheritance of loving
loyalty and gratitude that quivers in the answer of one State, the
traditional antagonisms of prejudice that speak in the other.
Public-domain text, read in full here on John Shaqi.
Great Men and Famous Women. Vol. 5: A series of pen and pencil sketches of the lives of more than 200 of the most prominent personages in History — John Shaqi
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