Great Men and Famous Women. Vol. 5: A series of pen and pencil sketches of the lives of more than 200 of the most prominent personages in History
History
Great Men and Famous Women. Vol. 5: A series of pen and pencil sketches of the lives of more than 200 of the most prominent personages in History
Biography
The earliest legends of Arthur's exploits are to be found in the bardic
lays attributed to the sixth and seventh centuries ("Myoyrian Archaeology
of Wales," 1801). A Welsh collection of stories called the "Mabinogion,"
of the fourteenth and fifteenth centuries, and translated into English
by Lady Charlotte Guest in 1849, gives further Arthurian legends. Some
of the stories "have the character of chivalric romances," and are
therefore probably of French origin; while others "bear the impress of a
far higher antiquity, both as regards the manners they depict and the
style of language in which they are composed." These latter rarely
mention Arthur, but the former belong, as Mr. Skene puts it, to the
"full-blown Arthurian romance." Chretien de Troies, the most famous of
the old French trouveres in the latter part of the twelfth century, made
the Arthur legend the subject for his "Romans" and "Contes," as well as
for two epics on Tristan; the Holy Grail, Peredur, etc., belonging to
the same cycle. Early in the same century the Arthurian metrical romance
became known in Germany, and there assumed a more animated and artistic
form in the "Parzival" of Wolfram of Eschenbach, "Tristan und Isolt" of
Gottfried of Strasburg, "Erec and Iwein" of Hartmann, and "Wigalois" of
Wirnt. The most renowned of the heroes of the Arthurian school are
Peredur (Parzival or Perceval), Tristan or Tristram, Iwein, Erec,
Gawein, Wigalois, Wigamur, Gauriel, and Lancelot. From France the
Arthurian romance spread also to Spain, Provence, Italy, and the
Netherlands, even into Iceland, and was again transplanted into England.
One of the publications that issued from the press of Caxton (1485) was
a collection of stories by Sir Thomas Malory, either compiled by him in
English, from various of the later French prose romances, or translated
directly from an already existing French compendium. Copland reprinted
the work in 1557, and in 1634 the last of the black-letter editions
appeared. A reprint of Caxton's "Kynge Arthur," with an introduction and
notes by Robert Southey, was issued in 1817--"The Byrth, Lyfe, and Actes
of Kyng Arthur." The most complete edition is that by Thomas Wright,
from the text of 1634.
Public-domain text, read in full here on John Shaqi.
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