The name of King Arthur was given during the Middle Ages to many places and monuments supposed to have been in some way associated with his exploits, such as "Arthur's Seat," near Edinburgh, "Arthur's Oven," on the Carron, near Falkirk, etc. What was called the sepulchre of his queen was shown at Meigle, in Strathmore, in the sixteenth century. Near Boscastle, in Cornwall, is Pentargain, a headland called after him "Arthur's Head." Other localities take his name in Brittany. In the Middle Ages, in Germany, Arthur's Courts were buildings in which the patricians assembled. One such still remains at Danzig. There was one anciently at Thorn, about which a ballad and legend exist. Milton was meditating an Arthurian epic in 1639; and in our own day the interest of the legends about King Arthur and his knights has been revived by Tennyson's "Idylls of the King" and some of Wagner's operas. We must not omit to note the magnificent life-sized ideal bronze figure of Arthur, cast for the monument of Maximilian I., now in the Franciscan church at Innsbruck, and regarded as the finest among the series of heroes there represented. [Illustration: The Ruins of King Arthur's Castle.] ROLAND (740-778) "O, for a blast of that dread horn, On Fontarabian echoes borne That to King Charles did come, When Rowland brave, and Olivier, And every paladin and peer On Roncesvalles died!"--_Marmion._ "When Charlemain with all his peerage fell, By Fontarabbia."--_Paradise Lost._ [Illustration: Roland.] "A Roland for an Oliver!" Saving the passing reference by Scott and Milton, quoted above, Roland and Olivier are almost unknown to English readers, and yet their once familiar names, knit together for centuries, have passed into a proverb, to be remembered as we remember the friendship of David and Jonathan, or to be classed by the scholar with Pylades, and Orestes of classic story, or with Amys and Amylion of romance.