Great Men and Famous Women, Vol. 8: A series of pen and pencil sketches of the lives of more than 200 of the most prominent personages in History
History
Great Men and Famous Women, Vol. 8: A series of pen and pencil sketches of the lives of more than 200 of the most prominent personages in History
Biography
Much of the delight which Mozart felt in the success of the opera
arose from the fact that it enabled him seriously to contemplate
marriage. Aloysia Weber had been faithless to him, but there was
another sister--with no special beauty save that of bright eyes, a
comely figure, and a cheerful, amiable disposition--Constanze, whom he
now hoped to make his wife. His father objected to all of the Weber
family, and there was some difficulty in obtaining the paternal
consent; but at last the marriage took place, on August 4, 1782. How
truly he loved his wife from first to last, his letters abundantly
show; her frequent illnesses were afterward a great and almost
constant source of expense to him, but he never ceased to write to her
with the passionate ardor of a young lover. He says: "I found that I
never prayed so fervently, or confessed so piously, as by her side;
she felt the same." And now for some time everything went smoothly in
the modest little ménage in Vienna. Mozart had plenty of lessons to
give, but none of the commissions for operas which he would have
wished.
Passing over a visit to Leipsic--where he studied with the keenest
delight a number of the unpublished works of the great Sebastian
Bach--and to Berlin, he returned to Vienna, and at once set to work
upon some quartets which the King of Prussia had ordered from him.
"Cosi fan tutte," a comic opera, with the beautifully flowing music
that only Mozart could write, but with a stupid plot that has
prevented its frequent repetition in later times; and the glorious
"Zauberflöte," written to assist a theatrical manager, Schikaneder,
were his next works. At this time a strange melancholy began to show
itself in his letters--it may be that already his overwrought brain
was conscious that the end was not far distant. Such lines as these,
pathetic and sad in their simple and almost childlike expression,
occur in a letter he wrote during a short absence from his wife, at
Frankfort, in 1790: "I am as happy as a child at the thought of
returning to you. If people could see into my heart I should almost
feel ashamed--all there is cold, cold as ice. Were you with me, I
should possibly take more pleasure in the kindness of those I meet
here, but all seems to me so empty." On his return to Vienna pecuniary
want was rather pressingly felt; his silver plate had to be pawned,
and a perfidious friend, Stadler, made away with the tickets, and the
silver was never redeemed. On one occasion Joseph Deiner, the landlord
of the "Silberne Schlange," chanced to call upon him, and was
surprised to find Mozart and his wife Constanze dancing round the
room. The laughing explanation was that they had no firewood in the
house, and so were trying to warm themselves with dancing. Deiner at
once offered to send in firewood, Mozart promising to pay as soon as
he could.
Public-domain text, read in full here on John Shaqi.
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