Great Men and Famous Women, Vol. 8: A series of pen and pencil sketches of the lives of more than 200 of the most prominent personages in History
History
Great Men and Famous Women, Vol. 8: A series of pen and pencil sketches of the lives of more than 200 of the most prominent personages in History
Biography
No composer has ever given greater or purer pleasure by his
compositions than is given by "papa" Haydn; there is an unceasing flow
of cheerfulness and lively tone in his music, even in the most solemn
pieces, as in his Masses, the predominant feeling is that of gladness;
as he once said to Carpani: "At the thought of God my heart leaps for
joy, and I cannot help my music doing the same." But it is not alone
as the writer of graceful and beautiful music that Haydn has a claim
on our remembrance; he has been truly called the "father of the
symphony." Mozart once said: "It was from Haydn that I first learned
the true way to compose quartettes;" and "The Creation," which must
ever be counted one of the masterpieces of oratorio music, was his
work.
His family were of the people, his father being a master wheelwright
at Rohrau, a small Austrian village on the borders of Lower Austria
and Hungary and his mother having been employed as a cook in the
castle of Count Harrach, the principal lord of the district. Joseph
Haydn was born on March 31, 1732 the second child of his parents; and
as ten brothers and sisters afterward came into the world, it can
easily be understood that his lot was not a very luxurious one. His
parents were simple, honest people of the laboring class, very
ignorant, but, like most German peasants, with a certain love for and
facility in music, not quite so common in this country. Haydn's father
had a good voice, and could sing well, accompanying himself on the
harp, though he did not know a single note of written music. Then
there was the village schoolmaster, who could actually play the
violin, and whom little Joseph watched with wondering eyes, extracting
those marvellously sweet sounds from his wooden instrument, until,
with the child's spirit of imitation, as his parents sang their
"Volkslieder," the little fellow, perched on a stone bench, gravely
handled two pieces of wood of his own as if they were bow and fiddle,
keeping exact time, and flourishing the bow in the approved fashion of
the schoolmaster. From this very little incident came an important
change in his life; for a relation, Johann Mathias Frankh, of
Hainburg, happened to be present on one occasion, and, thinking he saw
an aptitude for music in the boy, offered to take him into his own
school at Hainburg, where accordingly young Haydn went at the age of
six years.
Public-domain text, read in full here on John Shaqi.
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