Great Men and Famous Women, Vol. 8: A series of pen and pencil sketches of the lives of more than 200 of the most prominent personages in History
History
Great Men and Famous Women, Vol. 8: A series of pen and pencil sketches of the lives of more than 200 of the most prominent personages in History
Biography
Mendelssohn's lot in life was strikingly different from that of all
the musicians of whom I have hitherto written; he never knew, like
Schubert, what grinding poverty was, or suffered the long worries that
Mozart had to endure for lack of money. His father was a Jewish banker
in Berlin, the son of Moses Mendelssohn, a philosopher whose writings
had already made the name celebrated throughout Europe. The composer's
father used to say, with a very natural pride, after his own son had
grown up, "Formerly I was the son of my father, and now I am the
father of my son!"
Felix Mendelssohn-Bartholdy was born on February 3, 1809. His
parents were neither of them trained musicians, though both
appreciated and loved music, and it was from his mother that young
Felix received his first music-lessons. When he had made some advance,
Ludwig Berger became his tutor for the piano, and Zelter, a very
learned and severe theorist, for counterpoint. At the age of nine
years Felix had attained such proficiency that we find him taking the
pianoforte part in a trio at a public concert of a Herr Gugel's, and
when twelve years old he began to compose, and actually wrote a trio,
some sonatas, a cantata, and several organ pieces. His home life was
in the highest degree favorable to his musical development. On
alternate Sundays musical performances were regularly given with a
small orchestra in the large dining-room, Felix or his sister Fanny,
who also possessed remarkable musical gifts, taking the pianoforte
part, and new compositions by Felix were always included in the
programme. Many friends, musicians and others, used to be present,
Zelter regularly among their number, and the pieces were always freely
commented on, Felix receiving then, as indeed he did all his life, the
criticisms expressed, with the utmost good-natured readiness.
[Illustration: Mendelssohn.]
Public-domain text, read in full here on John Shaqi.
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