Great Men and Famous Women, Vol. 8: A series of pen and pencil sketches of the lives of more than 200 of the most prominent personages in History
History
Great Men and Famous Women, Vol. 8: A series of pen and pencil sketches of the lives of more than 200 of the most prominent personages in History
Biography
Passing over the intermediate years with a simple reference to the
"Meeresstille," "Calm Sea and Prosperous Voyage," which was then
composed, and a fine performance of Bach's "Passion Music," for which
he had been long drilling the members of the Berlin Singakademie, the
next event is a visit to England in 1829, where he was received with
extraordinary warmth, playing at the Philharmonic Concerts, conducting
his C minor Symphony, which he dedicated to the Philharmonic Society,
they in their turn electing him one of their honorary members; going
to dinners, balls, and the House of Commons, and enjoying himself most
hugely. His letters from England at this time are brimming over with
fun and graphic description; there is one especially amusing, in which
he describes himself with two friends going home from a late dinner at
the German Ambassador's, and on the way buying three German sausages,
going down a quiet street to devour them, with all the while joyous
laughter and snatches of part songs. There is also a little incident
of this time showing the wonderful memory he possessed. After a
concert on "Midsummer Night," when the "Midsummer Night's Dream" had
very appropriately been played, it was found that the score had been
lost in a hackney-coach as the party were returning to Mr. Attwood's.
"Never mind," said Mendelssohn, "I will make another," which he did,
and on comparison with the separate parts not a single difference was
found in it.
At the beginning of December he was at home again, and that winter he
wrote the "Reformation Symphony," intended to be produced at the
tercentenary festival of the "Augsburg Confession" in the following
June. This symphony, with which Mendelssohn was not entirely
satisfied, was only once performed during his lifetime, but since his
death it has frequently been performed, and though not one of his most
perfect works, is recognized as a noble monument in honor of a great
event. The next spring he again set out on his travels, this time
southward to Italy.
Public-domain text, read in full here on John Shaqi.
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