Great Men and Famous Women, Vol. 8: A series of pen and pencil sketches of the lives of more than 200 of the most prominent personages in History
History
Great Men and Famous Women, Vol. 8: A series of pen and pencil sketches of the lives of more than 200 of the most prominent personages in History
Biography
Such was the universal approbation which followed our young actor,
that the more established theatres of Drury Lane and Covent Garden
were deserted. Garrick drew after him the inhabitants of the most
polite parts of the town: Goodman's Fields were full of the splendor
of St. James' and Grosvenor Square; the coaches of the nobility filled
up the space from Temple Bar to Whitechapel. He had so perfectly
convinced the public of his superior accomplishments in acting, that
not to admire him would not only have argued an absence of taste, but
the grossest stupidity. Those who had seen and been delighted with the
most admired of the old actors, confessed that he had excelled the
ablest of them in the variety of the exhibitions, and equalled them
all in their must applauded characters.
Alexander Pope was persuaded by Lord Orrery to see him in the first
dawn of his fame. That great man, who had often seen and admired
Betterton, was struck with the propriety and beauty of Mr. Garrick's
action; and as a convincing proof that he had a good opinion of his
merit, he told Lord Orrery that he was afraid the young man would be
spoiled, for he would have no competitor.
Mr. Garrick shone forth like a theatrical Newton; he threw new light
on elocution and action; he banished ranting, bombast, and grimace;
and restored nature, ease, simplicity, and genuine humor.
In 1742 he entered into stated agreements with Fleetwood, patentee of
Drury Lane, for the annual income of £500. His fame continued to
increase at the royal theatre, and soon became so extended that a
deputation was sent from Ireland, to invite him to act in Dublin
during the months of June, July, and August, upon very profitable
conditions. These he embraced, and crossed the seas to the metropolis
of Ireland in June, 1742, accompanied by Mrs. Woffington.
[Illustration: Garrick as Richard III.]
His success at Dublin exceeded all imagination, though much was
expected from him; he was caressed by all ranks of people as a prodigy
of theatrical accomplishment. During the hottest days in the year the
play-house was crowded with persons of fashion and rank, who were
never tired with seeing and applauding the various essays of his
skill.
The excessive heat became prejudicial to the frequenters of the
theatre; and the epidemical distemper, which seized and carried off
great numbers, was nicknamed the _Garrick fever_. Satisfied with the
emoluments arising from the summer campaign, and delighted with the
generous encouragement and kind countenance which the nobility and
gentry of Ireland had given him, and of which he always spoke in the
strongest terms of acknowledgment and gratitude, he set out for
London, to renew his labors and to receive the applause of the most
critical, as well as most candid, audience in Europe.
Public-domain text, read in full here on John Shaqi.
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