Great Men and Famous Women, Vol. 8: A series of pen and pencil sketches of the lives of more than 200 of the most prominent personages in History
History
Great Men and Famous Women, Vol. 8: A series of pen and pencil sketches of the lives of more than 200 of the most prominent personages in History
Biography
During her visits to England, Miss Cushman personated Meg Merrilies
more often than any other character. In America she was also famous
for her performance of Nancy, in a melodrama founded upon "Oliver
Twist;" but this part she did not bring with her across the Atlantic.
She had first played Nancy during her "general utility" days at the
Park Theatre, when the energy and pathos of her acting powerfully
affected her audience, and the tradition of her success in the part
long "lingered in the memory of managers, and caused them, ever and
anon, as their business interests prompted, to bring great pressure to
bear upon her for a reproduction of it." Mr. George Vandenhoff
describes Nancy as Miss Cushman's "greatest part; fearfully natural,
dreadfully intense, horribly real."
In the winter of 1842 Miss Cushman undertook the management of the
Walnut Street Theatre, Philadelphia, which was then in rather a fallen
state. Under her energetic rule, however, the establishment recovered
its popularity. "She displayed at that day," writes Mr. George
Vandenhoff--who "starred at the Walnut Street Theatre for six nights
to small audiences"--"a rude, strong, uncultivated talent. It was not
till after she had seen and acted with Mr. Macready--which she did the
next season--that she really brought artistic study and finish to her
performances." Macready arrived in New York in the autumn of 1843. He
notes: "The Miss Cushman, who acted Lady Macbeth, interested me much.
She has to learn her art, but she showed mind and sympathy with me--a
novelty so refreshing to me on the stage." She discerned the
opportunity for study and improvement presented by Macready's visit,
and underwent the fatigue of acting on alternate nights in
Philadelphia and New York during the term of his engagement at the
Park Theatre. Her own success was very great. She wrote to her mother
of her great reception: of her being called out after the play; of the
"hats and handkerchiefs waved to me; flowers sent to me," etc. In
October, 1844, she sailed for England in the packet-ship Garrick. She
had little money with her. A farewell benefit taken in Boston, her
native city, had not proved very productive, and she had been obliged
"to make arrangements for the maintenance of her family during her
absence." And with characteristic prudence she left behind her a
certain sum, to be in readiness for her, in case failure in England
should drive her promptly back to America.
Public-domain text, read in full here on John Shaqi.
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