Great Musical Composers: German, French, and ItalianFerris, George T. (George Titus)
History
Great Musical Composers: German, French, and Italian
Ferris, George T. (George Titus)
Composers
Weber was fortunate in having gifted poets to write his dramas. As
rich as he was in melodic affluence, his creative faculty seems to
have had its tap-root in deep personal feelings and enthusiasms. One
of the most poetic and picturesque of composers, he needed a powerful
exterior suggestion to give his genius wings and fire. The Germany of
his time was alive with patriotic ardour, and the existence of the
nation gathered from its emergencies new strength and force. The heart
of Weber beat strong with the popular life. Romantic and serious in
his taste, his imagination fed on old German tradition and song, and
drew from them its richest food. The whole life of the Fatherland,
with its glow of love for home, its keen sympathies with the
influences of Nature, its fantastic play of thought, its tendency to
embody the primitive forces in weird myths, found in Weber an eloquent
exponent; and we perceive in his music all the colour and vividness of
these influences.
Weber's love of Nature was singularly keen. The woods, the mountains,
the lakes, and the streams, spoke to his soul with voices full of
meaning. He excelled in making these voices speak and sing; and he
may, therefore, be entitled the father of the romantic and descriptive
school in German operatic music. With more breadth and robustness, he
expressed the national feelings of his people, even as Chopin did
those of dying Poland. Weber's motives are generally caught from the
immemorial airs which resound in every village and hamlet, and the
fresh beat of the German heart sends its thrill through almost every
bar of his music. Here is found the ultimate significance of his
art-work, apart from the mere musical beauty of his compositions.
_MENDELSSOHN._
I.
Few careers could present more startling contrasts than those of
Mozart and Mendelssohn, in many respects of similar genius, but
utterly opposed in the whole surroundings of their lives. FELIX
MENDELSSOHN-BARTHOLDY was the grandson of the celebrated philosopher,
Moses Mendelssohn, and the son of a rich Hamburg banker. His uncles
were distinguished in literary and social life. His friends from early
childhood were eminent scholars, poets, painters, and musicians, and
his family moved in the most refined and wealthy circles. He was
nursed in the lap of luxury, and never knew the cold and hunger of
life. All the good fairies and graces seemed to have smiled benignly
on his birth, and to have showered on him their richest gifts. Many
successful wooers of the muse have been, fortunately for themselves,
the heirs of poverty, and became successful only to yield themselves
to fat and slothful ease. But, with every incitement to an idle and
contented life, Mendelssohn toiled like a galley-slave, and saw in his
wealth only the means of a more exclusive consecration to his art. A
passionate impulse to labour was the law of his life.
Public-domain text, read in full here on John Shaqi.
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