please the general public. It proved languid and heavy with those who could not relish the science of the music and the skill of the combinations. Such instances as this are the best answer to that school of critics, who have never ceased clamouring that Rossini could write nothing but beautiful tunes to tickle the vulgar and uneducated mind. "Semiramide," first performed at the Fenice theatre in Venice on February 3, 1823, was the last of Rossini's Italian operas, though it had the advantage of careful rehearsals and a noble caste. It was not well received at first, though the verdict of time places it high among the musical masterpieces of the century. In it were combined all of Rossini's ideas of operatic reform, and the novelty of some of the innovations probably accounts for the inability of his earlier public to appreciate its merits. Mdme. Rossini made her last public appearance in this great work. FOOTNOTE: [G] The same music was set to a poem founded on the first crusade, all the most effective situations being dramatically utilised for the Christian legend. IV. Henceforward the career of the greatest of the Italian composers, the genius who shares with Mozart the honour of having impressed himself more than any other on the style and methods of his successors, was to be associated with French music, though never departing from his characteristic quality as an original and creative mind. He modified French music, and left great disciples on whom his influence was radical, though perhaps we may detect certain reflex influences in his last and greatest opera, "William Tell." But of this more hereafter. Before finally settling in the French capital, Rossini visited London, where he was received with great honours. "When Rossini entered,"[H] says a writer in a London paper of that date, "he was received with loud plaudits, all the persons in the pit standing on the seats to get a better view of him. He continued for a minute or two to bow respectfully to the audience, and then gave the signal for the overture to begin. He appeared stout and somewhat below the middle height, with rather a heavy air, and a countenance which, though intelligent, betrayed none of the vivacity which distinguishes his music; and it was remarked that he had more of the appearance of a sturdy beef-eating Englishman than a fiery and sensitive native of the south."