Great Musical Composers: German, French, and ItalianFerris, George T. (George Titus)
History
Great Musical Composers: German, French, and Italian
Ferris, George T. (George Titus)
Composers
Verdi, with that healthy horror of tiring the public which has always
distinguished him, declined Signor Boïto's proposal to treat the
subject in five acts; and, Shakespeare's introductory act being
discarded, the first act of the opera corresponds with the second act
of the tragedy. After that the musical drama marches scene by scene,
and situation by situation, on parallel lines with the play, with this
important exception only--namely, that the "Willow Song," as in
Rossini's opera, is transferred from the last act but one to the last
act. There are no symphonic pieces in "Otello," unless the brief
orchestral presentation of the "Willow Song" before the fourth act can
be so considered. The work is a drama set to music, in which there are
no repetitions, no detached or detachable airs written specially for
the singers, no passages of display, nothing whatever in the way of
music but what is absolutely necessary for the elucidation of the
piece. The influence of Wagner is perceptible here and there, but
there are no leading motives, and the general style is that of Verdi
at his best, as in "Aida."
"It is well for the Italians that, in hailing Verdi as a
great man of genius, they are not honouring one who moves
the profane world to compassion, scarcely distinguished from
contempt, by weakness of character. His work is so good
throughout, so full of method, so complete, because his
nature is complete and his life methodical; for the same
reason, no doubt, he has preserved to a ripe old age all the
essential qualities of the genius of his manhood. The leaves
that remain on the Autumnal trees are yet green, and the
birds still sing among them. 'Otello' itself will, in some
form or other, soon be heard in London; and it is pleasant
to think that the subject is taken from one of the greatest
works of the greatest of all literary Englishmen. The theme
is noble, and so, apparently, is the treatment. Nor should
we forget that so distinguished a composer as Signor Boïto
has not disdained, nay, has elected, to compose the libretto
for the old _maestro_. That is a form and sample of
co-operation we can all admire. Will Italy One and Free
continue to produce great and original musicians? Verdi is
the product of other and more melancholy times. Be that as
it may, better national freedom, civil activity, and
personal dignity, than all the operas that were ever
written."
_CHERUBINI AND HIS PREDECESSORS._
I.
Public-domain text, read in full here on John Shaqi.
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