It was in "Joseph," however, composed in 1807, that this composer vindicated his right to be called a musician of great genius, and entered fully into a species of composition befitting his grand style. Most of his contemporaries were incapable of appreciating the greatness of the work, though his gifted rival Cherubini gave it the warmest praise. In Germany it met with instant and extended success, and it is one of the few French operas of the old school which still continue to be given on the German stage. In England it is now frequently sung as an oratorio. It is on this remarkable work that Méhul's lasting reputation as a composer rests outside of his own nation. The construction of the opera of "Joseph" is characterised by admirable symmetry of form, dramatic power, and majesty of the choral and concerted passages, while the sustained beauty of the orchestration is such as to challenge comparison with the greatest works of his contemporaries. Such at least is the verdict of Fétis, who was by no means inclined to be over-indulgent in criticising Méhul. The fault in this opera, as in all of Méhul's works, appears to have been a lack of bright and graceful melody, though in the modern tendencies of music this defect is rapidly being elevated into a virtue. The last eight years of Méhul's life were depressed by melancholy and suffering, proceeding from pulmonary disease. He resigned his place in the Conservatory, and retired to a pleasant little estate near Paris, where he devoted himself to raising flowers, and found some solace in the society of his musical friends and former pupils, who were assiduous in their attentions. Finally becoming dangerously ill, he went to the island of Hyères to find a more genial climate. But here he pined for Paris and the old companionships, and suffered more perhaps by fretting for the intellectual cheer of his old life than he gained by balmy air and sunshine. He writes to one of his friends after a short stay at Hyères--"I have broken up all my habits; I am deprived of all my old friends; I am alone at the end of the world, surrounded by people whose language I scarcely understand; and all this sacrifice to obtain a little more sun. The air which best agrees with me is that which I breathe among you." He returned to Paris for a few weeks only, to breathe his last on October 18, 1817, aged fifty-four.