Great Musical Composers: German, French, and ItalianFerris, George T. (George Titus)
History
Great Musical Composers: German, French, and Italian
Ferris, George T. (George Titus)
Composers
('that ape of genius, an emissary from the devil to man'), and the
pitiful poverty of our old poetry of pedagogues and ragged-school
teachers. I saw, I understood, I felt that I was alive and must arise
and walk." Of the influence of "Romeo and Juliet" on him, he says,
"Exposing myself to the burning sun and balmy nights of Italy, seeing
this love as quick and sudden as thought, burning like lava,
imperious, irresistible, boundless, and pure and beautiful as the
smile of angels, those furious scenes of vengeance, those distracted
embraces, those struggles between love and death, was too much. After
the melancholy, the gnawing anguish, the tearful love, the cruel
irony, the sombre meditations, the heart-rackings, the madness, tears,
mourning, the calamities and sharp cleverness of Hamlet; after the
grey clouds and icy winds of Denmark; after the third act, hardly
breathing, in pain as if a hand of iron were squeezing at my heart, I
said to myself with the fullest conviction, 'Ah! I am lost.' I must
add that I did not at that time know a word of English, that I only
caught glimpses of Shakespeare through the fog of Letourneur's
translation, and that I consequently could not perceive the poetic web
that surrounds his marvellous creations like a net of gold. I have the
misfortune to be very nearly in the same sad case to-day. It is much
harder for a Frenchman to sound the depths of Shakespeare than for an
Englishman to feel the delicacy and originality of La Fontaine or
Molière. Our two poets are rich continents; Shakespeare is a world.
But the play of the actors, above all of the actress, the succession
of the scenes, the pantomime and the accent of the voices, meant more
to me, and filled me a thousand times more with Shakespearean ideas
and passion than the text of my colourless and unfaithful translation.
An English critic said last winter in the _Illustrated London News_,
that, after seeing Miss Smithson in Juliet, I had cried out, 'I will
marry that woman and write my grandest symphony on this play.' I did
both, but never said anything of the sort."
Public-domain text, read in full here on John Shaqi.
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