Great Musical Composers: German, French, and ItalianFerris, George T. (George Titus)
History
Great Musical Composers: German, French, and Italian
Ferris, George T. (George Titus)
Composers
To him the _dolce far niente_ was a meaningless phrase. His comrades
scoffed at him and called him "_Père la Joie_," in derision of the
fierce melancholy which despised them, their pursuits and pleasures.
At the end of the year he was obliged to present something before the
Institute as a mark of his musical advancement, and he sent on a
fragment of his "Mass" heard years before at St. Roch, in which the
wise judges professed to find the "evidences of material advancement,
and the total abandonment of his former reprehensible tendencies."
One can fancy the scornful laughter of Berlioz at hearing this
verdict. But his Italian life was not altogether purposeless. He
revised his "Symphonie Fantastique," and wrote its sequel, "Lelio," a
lyrical monologue, in which he aimed to express the memories of his
passion for the beautiful Miss Smithson. These two parts comprised
what Berlioz named "An Episode in the Life of an Artist." Our composer
managed to get the last six months of his Italian exile remitted, and
his return to Paris was hastened by one of those furious paroxysms of
rage to which such ill-regulated minds are subject. He had adored Miss
Smithson as a celestial divinity, a lovely ideal of art and beauty,
but this had not prevented him from basking in the rays of the earthly
Venus. Before leaving Paris he had had an intrigue with a certain
Mdlle. M----, a somewhat frivolous and unscrupulous beauty, who had
bled his not overfilled purse with the avidity of a leech. Berlioz
heard just before returning to Paris that the coquette was about to
marry, a conclusion one would fancy which would have rejoiced his
mind. But, no! he was worked to a dreadful rage by what he considered
such perfidy! His one thought was to avenge himself. He provided
himself with three loaded pistols--one for the faithless one, one for
his rival, and one for himself--and was so impatient to start that he
could not wait for passports. He attempted to cross the frontier in
women's clothes, and was arrested. A variety of _contretemps_ occurred
before he got to Paris, and by that time his rage had so cooled, his
sense of the absurdity of the whole thing grown so keen, that he was
rather willing to send Mdlle. M---- his blessing than his curse.
Public-domain text, read in full here on John Shaqi.
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