Page 181--totaly amended to totally--"Sterbini made the libretto totally different ..." Page 184--Davide amended to David--"Mdme. Colbran, afterwards Rossini's wife, sang Desdemona, and David, Otello." Page 185--you amended to your--"... they have not left you a seat in your own house." Page 202--Faleiro amended to Faliero--""Marino Faliero" was composed for Paris in 1835, ..." Page 204--Nigida amended to Nisida--"... the story of which was drawn from "L'Ange de Nisida," ..." Page 209--chief amended to chef--"... and M. Habeneck, _chef d'orchestre_ of the Académie Royale, ..." Page 224--Skakespearian amended to Shakespearian--"... that probably only a Shakespearian subject could induce him ..." Page 225--Othello amended to Otello--"There are no symphonic pieces in "Otello," ..." Page 228--maurir amended to mourir--"_... pécheur, il faut mourir_, ..." Page 229--fall amended to full--"... but with a voice so full of shakes and quavers, ..." Page 261--La amended to Le--"In 1797 he produced his "Le Jeune Henri," ..." Page 264--Gaspardo amended to Gasparo--"LUIGI GASPARO PACIFICO SPONTINI, born of peasant parents ..." Page 266--rejoiner amended to rejoinder--""What's the use? I can't hear a note," was the impatient rejoinder." Page 268--Formental amended to Fromental--"FROMENTAL HALÉVY, a scion of the Hebrew race, ..." Page 282--Anslem amended to Anselm--"... Clementi, Bernhard Anselm Weber, and Abbé Vogler." Page 284--Veluti amended to Velluti--"In the latter city, Velluti, the last of the male sopranists, ..." Page 292--faancs amended to francs--"... I certainly would have given two hundred francs for a seat; ..." Page 297--avried amended to varied--"... accordingly as the varied meanings of Goethe's masterpiece demand." Page 326--by-word amended to bye-word--"... his name was a laughing-stock and a bye-word." Page 335--S. Bach amended to J. S. Bach--"1685-1750 _J. S. Bach._" Page 335--Cerubini amended to Cherubini--"1760-1842 _Cherubini._" Page 335--1802 amended to 1827--"1770-1827 _Beethoven._"