Great Musical Composers: German, French, and ItalianFerris, George T. (George Titus)
History
Great Musical Composers: German, French, and Italian
Ferris, George T. (George Titus)
Composers
The charming countess, however, preferred rank, wealth, and unruffled
ease to being linked even with a great genius, if, indeed, the affair
ever looked in the direction of marriage. She married another, and
Beethoven does not seem to have been seriously disturbed. It may be
that, like Goethe, he valued the love of woman not for itself or its
direct results, but as an art-stimulus which should enrich and
fructify his own intellectual life.
We get glimpses of successors to the fair countess. The beautiful
Marie Pachler was for some time the object of his adoration. The
affair is a somewhat mysterious one, and the lady seems to have
suffered from the fire through which her powerful companion passed
unscathed. Again, quaintest and oddest of all, is the fancy kindled by
that "mysterious sprite of genius," as one of her contemporaries calls
her, Bettina Brentano, the gifted child-woman, who fascinated all who
came within her reach, from Goethe and Beethoven down to princes and
nobles. Goethe's correspondence with this strange being has embalmed
her life in classic literature.
Our composer's intercourse with women--for he was always alive to the
charms of female society--was for the most part homely and practical
in the extreme, after his deafness destroyed the zest of the more
romantic phases of the divine passion. He accepted adoration, as did
Dean Swift, as a right. He permitted his female admirers to knit him
stockings and comforters, and make him dainty puddings and other
delicacies, which he devoured with huge gusto. He condescended, in
return, to go to sleep on their sofas, after picking his teeth with
the candle-snuffers (so says scandal), while they thrummed away at his
sonatas, the artistic slaughter of which Beethoven was mercifully
unable to hear.
V.
The friendship of the Archduke Rudolph relieved Beethoven of the
immediate pressure of poverty; for in 1809 he settled a small
life-pension upon him. The next ten years were passed by him in
comparative ease and comfort, and in this time he gave to the world
five of his immortal symphonies, and a large number of his finest
sonatas and masses. His general health improved very much; and in his
love for his nephew Karl, whom Beethoven had adopted, the lonely man
found an outlet for his strong affections, which was medicine for his
soul, though the object was worthless and ungrateful.
Public-domain text, read in full here on John Shaqi.
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