The day on which Pat Moloney died at dawn she could not rest so much as
she intended, to make up for the short night. She wrote one or two brief
notes begging to be let off engagements, and told the servants to say
she was not at home. She could not keep quite still, and she did not
want to go out. Gradually, as the day wore on, she worked herself into
more and more excitement. Her imagination pictured what might be the
outcome of such a view of life and death as seemed to have taken hold of
her. In her usual moods she would have thought with sarcasm that such
were the symptoms of "conversion" in a revivalist. But now there was no
critical faculty awake for cynicism; the critical faculty was full of a
solemn kind of joy. Next there came, after some hours of a sort of
surprise at this sudden and vehement sense of uplifting, the wish for
action and for sacrifice. Her mind returned to the concrete, and the
circumstances of her life. And then there came a most unwelcome thought.
If Molly wanted to sacrifice herself indeed, and wished to do some real
good about which there could be no self-delusion, was there not one duty
quite obviously in her path, her duty as a child? Had she ever made any
attempt to help the forlorn woman in Florence? Perhaps Madame Danterre's
assertion, when Molly came of age, that she did not want to see Molly,
was only an attempt to find out whether Molly really wished to come to
her mother. From the day on which her ideal of her mother had been
completely shattered Molly had shrunk from even thinking of her. She now
shivered with repugnance, but she was almost glad to feel how repugnant
this duty might be, much as a medieval penitent might have rejoiced in
his own repugnance to the leprous wounds he was resolved to dress as an
expiation for sin. It did not strike her, as it never struck the noble
penitents in the Middle Ages, that it might be very trying to the object
of these expiatory actions. She felt at the moment that it must be a
comfort to her mother to receive all the love and devotion that she
would offer her. And there was real heroism in the letter that Molly
proceeded to write to Madame Danterre. For she knew that if her offer
were accepted she risked the loss of all that at present made life very
dear, both in what she already enjoyed, and in the hope that was hidden
in her heart.
Molly had pride enough to shrink utterly from the connection with her
mother, and her girl's innocence shrank, too, with quick sensitiveness
from what might be before her. How strange now appeared the dreams of
her childhood, the idealisation of the young and beautiful mother!
Public-domain text, read in full here on John Shaqi.
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