That he lacked poetic fire and passion, that the sense of artistic restraint and a refined fastidiousness chilled and fettered him, is doubtlessly true. Whether the absence of the imaginative warmth and vigor which suffuse a work of art with the glow of something that can not be fully expressed, and kindle the thoughts of the hearer to take hitherto unknown flights, is fully compensated for by that repose and symmetry of style which know exactly what it wishes to express, and, being perfect master of the means of expression, puts forth an exact measure of effort and then stops as if shut down by an iron wall--this is an open question, and must be answered according to one's art theories. The exquisite modeling of a Benvenuto Cellini vase, wrought with patient elaboration into a thing of unsurpassable beauty, does not invoke as high a sense of pleasure as an heroic statue or noble painting by some great master, but of its kind the pleasure is just as complete. Apart from Thalberg's power as a player, however, there was something captivating in the quality of his talent, which, though not creative, was gifted with the power of seizing the very essence of the music to be interpreted. A striking example of this is shown in the fantasias he composed on the different operas, a form of writing which reached its perfection in him. His own contribution is simply a most delightful setting of the melodies of his subject, and the whole is steeped in the very atmosphere and feeling of the original, as if the master himself had done the work.