At the age of nine he made his first appearance in public at Odenburg, playing Bies's concerto in three flats, and improvising a fantasia so full of melodic ideas, striking rhythms, and well-arranged harmony as to strike the audience with surprise and admiration. Among the hearers was Prince Esterhazy, who was so pleased with the precocious talent shown that he put a purse of fifty ducats in the young musician's hand. Soon after this Adam Liszt went to Pres-burg to live, and several noblemen, among whom were Prince Esterhazy, and the Counts Amadee and Szapary, all of them enthusiastic patrons of music, determined to bear the burden of the boy's musical education. To this end they agreed to allow him six hundred florins a year for six years. Young Liszt was placed at Vienna under the tutelage of the celebrated pianist and teacher Czerny, and soon made such progress that he was able to play such works as those even of Beethoven and Hummel at first sight. When Liszt did this for one of Hummel's most difficult concertos, at the rooms of the music publisher one day, it created a great sensation in Vienna, and he quickly became one of the lions of the drawing-rooms of the capital. Czerny himself was so much delighted with the genius of his charge that he refused to accept the three hundred florins stipulated for his lessons, saying he was but too well repaid by the success of the pupil. Though toiling with incessant industry in musical study and practice, for the boy was working at composition with Salieri and Randhartinger, as well as the piano-forte with Czerny, he found time to indulge in those strange, mystical, and fantastic dreams which have molded his whole life, oscillating between pietistic delirium, wherein he saw celestial visions and felt the call to a holy life, and the most voluptuous images and aspirations for earthly pleasures. Franz Liszt at this early age had a sensibility so delicate, and an imagination so quickly kindled, that he himself tells us no one can guess the extremes of ecstasy and despair through which he alternately passed. These spiritual experiences were perhaps fed by the mysticism of Jacob Boehme, whose works came into his possession, and furnished a most delusive and dangerous guide for the young enthusiast's fancy. But, dream and suffer as he might, nothing was allowed to quench the ardor of his musical studies.