Greater Britain: A Record of Travel in English-Speaking Countries During 1866-7Dilke, Charles Wentworth, Sir
History
Greater Britain: A Record of Travel in English-Speaking Countries During 1866-7
Dilke, Charles Wentworth, Sir
Great Britain -- Colonies -- History -- 19th century; United States -- Description and travel; Voyages around the world
In a second dance, a girl standing out upon the grass chanted the air--a
kind of capstan song--and then the “dancers,” who were seated in one
long row, joined in chorus, breathing violently in perfect time, half
forming words, but not notes, swinging from side to side like the
howling dervishes, and using frightful gestures. This strange
whisper-roaring went on increasing in rapidity and fierceness, till at
last the singers worked themselves into a frenzy, in which they rolled
their eyes, stiffened the arms and legs, clutched and clawed with the
fingers, and snorted like maddened horses. Stripping off their clothes,
they looked more like the Maories of thirty years ago than those who see
them only at the mission-stations would believe. Other song-dances, in
which the singers stood striking their heels at measured intervals upon
the earth, were taken up with equal vigor by the boys and women, the
grown men in their dignity keeping themselves aloof, although in his
heart every Maori loves mimetic dance and song. We remarked that in the
“haka” the old women seemed more in earnest than the young, who were
always bursting into laughter, and forgetting words and time.
The savage love for semitones makes Maori music somewhat wearisome to
the English ear; so after a time we began to walk through the pahs and
sketch the Maories, to their great delight. I was drawing the grand old
head of a venerable dame--Oriuhia té Aka--when she asked to see what I
was about. As soon as I showed her the sketch, she began to call me
names, and from her gestures I saw that the insult was in the omission
of the tattooing on her chin. When I inserted the stripes and curves,
her delight was such that I greatly feared she would have embraced me.
Strolling into the karaka groves, we came upon a Maori wooden tomb, of
which the front was carved with figures three feet high, grotesque and
obscene. Gigantic eyes, hands bearing clubs, limbs without bodies, and
bodies without limbs, were figured here and there among more perfect
carvings, and the whole was of a character which the Maories of to-day
disown as they do cannibalism, wishing to have these horrid things
forgotten. The sudden rise of the Hau-Hau fanaticism within the last few
years has shown us that the layer of civilization by which the old Maori
habits are overlaid is thin indeed.
Public-domain text, read in full here on John Shaqi.
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