Many of these examples, which might easily be multiplied, show us magic applied to private but beneficent purposes, the healing of disease, the exorcism of spirits of moral and physical evil. It was also in vogue for national purposes--for instance, for the destruction of the enemies of the king; one of our documents describes such a process as the making of a tallow-image of the enemy of the king and binding his face with a cord, so as to render the living foe impotent of will and speech.[299.2] We have already noticed that the Babylonian gods themselves work magic, and that it was also worked on behalf of the gods.[299.3] And in the ritual-records much that might be interpreted as religion may find its truer account from the other point of view; for instance, the ritual of placing by the bedside of a sick man the image of Nergal or those of the “twins who overthrow the wicked Gallu”[299.4] might appear at first sight as a religious appeal to the deities to come to his aid; but as in form it is exactly similar to the use made on the same occasion, as noted above, of the images of demons, we may rather suppose that the intention was magical in this act also, and that the divine idols were supposed to combat the demon of sickness by their magical influence. Or, again, in part of the ritual of exorcism we find acts that bear the semblance of sacrifice, such as throwing onions and dates into the fire; but they were charged with a curse before thrown, and the act {300} is more naturally interpreted as a magic transference of evil.[300.1] For the purpose of the exorcism, to deliver a “banned” person, the high god, Marduk or another, might be called in; but Marduk also works the effect by magic: a rope is woven by Ishtar’s maidens, which Marduk (or his priest) turns round the head of the sufferer, then breaks it through and throws it out into the desert.[300.2] This looks like symbolic magic; the knotted rope represents the ban, which is then broken and thrown away. There are many features in these methods of exorcism, such as the apotropaeic use of idols, that are common to other peoples at a certain stage of culture; there remains much also that seems peculiar to Babylon.