Greece: Painted by John Fulleylove; described by J.A. McClymontM'Clymont, J. A. (James Alexander)
History
Greece: Painted by John Fulleylove; described by J.A. McClymont
M'Clymont, J. A. (James Alexander)
Athens (Greece); Greece -- Antiquities; Greece -- Description and travel
Its name had originally no flavour of learning, being derived from an
early owner, Academus, whose greatness was of a vague and mythical
character. The place was of considerable extent. It was first enclosed
by Hipparchus, the son of Peisistratus, and was afterwards planted and
laid out by Cimon. It was famous for its great plane-trees, and
Aristophanes speaks of “the plane-tree whispering to the elm.” But there
were twelve ancient olive-trees which were still more highly prized.
They were called _Moriai_, in allusion to some legend connected with
them, and were believed to be offshoots from the sacred olive in the
Acropolis. It was at one time a capital offence to injure these
olive-trees in any way; and the oil derived from them was preserved in
the Acropolis, and jars of it given to the victors in the Pan-Athenaic
games. In the neighbourhood there was an altar of Prometheus--that
much-enduring Titan, who suffered for his sin in stealing fire from
heaven for the material welfare of the human race. This altar, with its
sacred fire, was the starting-point for one of the most famous contests
in the Athenian games, namely, the torch race. It was a race that was
sometimes run by individual competitors, sometimes by companies. In the
former case the prize was won by the man who first reached the goal with
his torch still burning. When it was a contest of parties, the object
was to pass the lighted torch from one member of the party to another,
till at length it reached the man stationed farthest ahead, who carried
it forward to the goal, the prize being awarded not to the individual
who came in first but to the company to which he belonged. No doubt it
is this form of the game that has given rise to the popular metaphor
about handing on the torch of truth. Funeral games were also held in the
Academy in honour of the soldiers buried in the neighbourhood, and there
was a sacrificial pit, at which worship was offered to them as heroes.
There was also a gymnasium, and so much open ground that a cavalry
parade was occasionally held in it. Plato dedicated a shrine to the
Muses in it, and it was his favourite haunt for about forty years,
though he was advised to quit it on account of its low and unhealthy
situation; it also continued to be the headquarters of his school for
several generations. He was buried in it, or very near it, by the
Athenians with great pomp, and the following was said to be his epitaph:
“Apollo created the two--Asclepios and Plato: Asclepios, that he might
save the body; Plato, that he might save the soul.”
A few hundred yards off, rather more to the east, lies Colonus, a knoll
some fifty feet high. There is little about it to remind one of the
description of it
[Illustration: ATHENS FROM THE ROAD TO ELEUSIS
Public-domain text, read in full here on John Shaqi.
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